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Archive for the ‘Analog’ Category

To be honest — I’ve lost track of this second 30-day challenge. One of the downsides of shooting film is that the date and time of the exposure aren’t recorded in the metadata, since there is no metadata.

Therefore, because I’ve been shooting on film since before spring break, I’ve lost track. But I think I’ve safely covered my bases for the 30-day challenge. Here are some film exposures I made before spring break. I’ll post the spring break film shortly. (Not all of it is ready yet — I still have about half a roll on both the OM-1 and Mamiya before they can be developed.)

Also, I feel horrible that this is my first post in almost a month. I was off the grid for spring break, and since then, projects and work have taken over my life. In fact, they are still taking over my life, but I’m fighting to take my life back — especially since I graduate in less than a month.

Without further ado, some snaps from the medium-format:

The first exposure on this roll of BW400CN. This is the sunset over the golf course near University Field (the Missouri softball stadium).

Stairwell in the Arts & Sciences building.

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Summer in the city

After Jeff and I took never-before-taken photos of our walk on the Brooklyn Bridge, we went to Brooklyn Bridge Park, which is part of the DUMBO (“Down Under the Manhattan Bridge Overpass”) area.

My version of an oft-taken photo of the Manhattan Bridge.

My version of an oft-taken photo of the Manhattan Bridge.

We spent some time in Brooklyn Bridge Park, where we rested our feet near the East River and saw a photographer take photos of a wedding party. Then we left to get in line for a little pizza place called Grimaldi’s.

The Grimaldi’s proprietor holds the door for an exiting customer. This is probably my favorite of all the photos I took on this trip. Actually, it’s probably my favorite of all the photos I took last summer. I love the gritty graininess of the film, and the motion blur, and the tiled letters, and the brick, and the mood.

We waited at least an hour in line outside the restaurant before we were seated inside the cramped pizzeria. New York City has its fair share of tourist traps with long waiting lines, but quite a few of the customers willing to brave the line were locals. And the pizza, which is baked in a coal-fired brick oven, was completely worth it.

Check out a few more photos I didn’t post in this entry.

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90ish days of summer

After our encounter with Edwardo Alvarado in the Times Square station, Jeff and I had a pretty chill time on our way to and at Columbia University.

The typical college kid thing — you know, playing Frisbee in front of Butler Library.

Why leave lower Manhattan and make such a big detour to Columbia if our next stop was the Brooklyn Bridge? Well, we still had time to kill, and I remembered enjoying my time on campus when I was there for the Columbia for the Columbia Scholastic Press Association‘s Gold Circle Awards with five other staffers of my high school newspaper.

Low Library, back in March 2004 when my high school newspaper adviser took six of us staffers to New York City. This photo was taken with a really crappy disposable film camera.

That was a really great trip. I had joined the newspaper staff at the beginning of the schoolyear and loved it more than anything. It was also my first out-of-town trip without my parents, which was liberating and wonderful. It’s no exaggeration to say that I felt a lot better and more confident about myself after spending a week in New York City with some of my favorite people.

Now, of course, I’m a bit out of touch with them. A few months ago, I e-mailed everyone on the trip to see how they were doing, but no one has replied. I’m wondering, especially because each of us were particularly passionate and eventually became editors on the paper, if anyone else in the group is still pursuing journalism as I am.

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90ish days of summer

I really love black-and-white film.

Cops on Broadway.

I’ve said it before: Black-and-white film just lends this beautiful quality to any modern situation. It’s almost something of a throwback effect. The motorcycle and NYPD car in the above photo give away the fact that the exposure was taken within the past few years, but the black-and-white impart almost a quality of romantic timelessness. It’s beautiful.

At least, I’d like to think so.

Jeff and I continued our walking tour of lower Manhattan by taking Broadway to Wall Street. Lower Manhattan is basically a series of canyon-like streets. I hope nobody has plants in their office windows — the buildings are so tall and close together that any window-side plants probably get no more than a few hours of even indirect sunlight.

Not quite the Great White Way… at least, not this part of Broadway.

After a quick stop at a Bank of America and a Borders bookstore on Broadway, we went down Wall Street. Be still my heart.

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Two weekends ago, Jeff and I spent three days in Houston for my brother Matt’s wedding.

Matt.

Emily. (With some negative scratches in her hair.)

Although we were not the wedding photographers, we both brought cameras. Of course. Jeff shot digital, which means his photos were up and ready the next day. I shot film, which means my photos are just now ready.

There’s a reason why I shot film, and particularly Tri-X 400 film. I’d grown up poring over photos shot by LIFE photographers. The black-and-white photos of JFK and Jackie’s wedding always struck me as wonderful wedding photography, and I wanted to capture a similar, candid look using black-and-white film.

In the bride’s dressing room an hour before the wedding, Emily reads a card sent up to her from Matt.

As a bridesmaid, I had special access to the bride’s dressing room at the Richmond House, where the wedding and reception were held. I knew the hired wedding photographer wasn’t scheduled to arrive until shortly before the ceremony, so I happily took it upon myself to capture some small moments among the girls.

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90ish days of summer

As I have previously mentioned, Jeff and I escaped the clutches of the greater D.C. area to spend three days in New York City in the beginning of August.

Strawberry Fields in Central Park on Friday, Aug. 7.

We spent those three days seeing the sights, mostly in Manhattan and mostly through our camera viewfinders. Jeff had his D700; I had my 30D and Olympus OM-1.

Here’s the conundrum: I shot on black-and-white film. Which means I have color photos (from my 30D) as well as black-and-white. The color photos are wonderfully vibrant, whereas the black-and-white photos lend a more old-fashioned look at the city. Because of the different moods they present, I’ll post the color photos separately from the black-and-white photos.

But today, I’m starting out with a bit of each.

Our bus from D.C. arrived two blocks from the New York Times building. So of course we stopped by the NYT before doing anything else.

We arrived via bus in Manhattan on Thursday evening. After swinging by the New York Times building — no longer in Times Square — we dropped off our luggage at my uncle’s apartment in the Upper East Side and ate dinner at a small, nearby diner. Where I had homemade ravioli for the first time ever. It was incredible.

By the way, here’s a photo of fellow Review staffers and me at the New York Times building in 2004, back when it was still in Times Square. Did you know Times Square was named after The New York Times?

From left to right: Andrew (future business manager), Armin (future sports editor and managing editor), Mrs. van der Pol (adviser), me (future features editor and EIC), Chanel (future news editor), Morgan (future scrivener, features editor and managing editor) and Anna. As staff of our high school newspaper, we spent spring break in the city for the Columbia Scholastic Press Association conference.

Jeff and I started out the next morning (Friday, Aug. 7) at Central Park, which was only a few blocks from my uncle’s apartment. We didn’t spend that much time there, though — lower Manhattan and Brooklyn were calling our name. But of course we took some photos.

Panoramic view from the north end of the lake in Central Park West.

This will probably be the only entry with both color and black-and-white photos. I’ll be posting more photos over the next week or so. Stay tuned!

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90ish days of summer

I survived Bonnaroo 2009.

© 2009 Bonnaroo Music & Arts Festival

So did about 80,000 other people.

For five days, I escaped the heated bustle and high buildings of the D.C. area, and instead endured the heated bustle and high people at one of the biggest annual music festivals on this continent. To call it a sensory overload would be an understatement of vast proportions. Being one of nearly 80,000 people under the blazing central Tennessee sun, eating the best festival food I’ve ever had and listening to an eclectic assortment of artists — well, it was just wow.

On the way to Centeroo on Thursday.

On the way to Centeroo on Thursday

The Bonnaroo lineup this year included headliners Bruce Springsteen, the Beastie Boys and Phish, as well as big acts like Nine Inch Nails, obscure acts like (insert random artist so I don’t offend anyone…), surprise acts like Jimmy Buffett and comedy acts like random Daily Show stars.

Jeff and I stuck together the whole time and saw the following performers:

THURSDAY:

  • White Rabbits — What can I say. They’re originally from Columbia, Mo., so of course we had to begin our Bonnaroo experience with them.
  • Delta Spirit — Their set got moved up further in the night, but we were unaware of this schedule change. So we missed them.
  • Portugal. The Man — We listened to them instead of Delta Spirit. Not a bad set.
  • Zac Brown Band — I wanted to hear their set… but it started raining during Portual. The Man. So we headed back to the tent and made it just in time, because then the rainfall and thunderoo really started.
The view from under the bleachers at the Which Stage (second main stage). Trippy? A little. Was I tripping? Hell no.

The view from under the bleachers at the Which Stage (second main stage). Trippy? A little. Was I tripping? Hell no.

FRIDAY:

  • Animal Collective — I don’t remember much of their show, but after reading Kevin’s glowing, under-140-character assessment of their performance in Albuquerque, I was mildly disappointed.
  • Béla Fleck & Toumani Diabate — As always, the banjo-playing was amazing!
  • Galactic with Trombone Shorty and Corey Henry — I’d never heard of any of these artists. But they were playing at the What Stage (the main stage) and gave a great show, and Trombone Shorty crowd-surfed. What more can I say?
  • Al Green — FANTASTIC. The soul singer truly rocked the What Stage, and was the epitome of classiness as he wore a black suit with a red vest and tie in the hot Tennessee afternoon and threw red roses into the audience.
  • Beastie Boys — Their blurb in the Bonnaroo guidebook was full of snark, and they pulled off a great performance with a surprise guest.
  • Phish — All the potheads were excited about Phish — it was all they could talk about in the surrounding tents. I think more people were pumped about Phish than about Bruce (who performed the following night).
  • Girl Talk — I’d wanted to see Gregg Gillis perform, but his was a late-night set (2:15-3:45 a.m.) and I had been nodding off during Phish’s show. So we called it a night about halfway through Phish’s set.
So you cant really tell... but I swear that Jimmy Buffett was playing Margaritaville on stage when I took this photo.

So you can’t really tell… but I swear that Jimmy Buffett was playing “Margaritaville” on stage when I took this photo.

SATURDAY:

  • ILO & the Coral Reefer AllStars, with Jimmy Buffett — Bonnaroo introduced Jimmy as a last-minute addition. He played the latter half of the noontime Saturday show at the Which Stage — and, of course, played “Margaritaville” as the last song.
  • Heartless Bastards — I’m pretty sure I fell asleep during this set… I am strangely narcoleptic, sometimes. Maybe I didn’t. I can’t remember, really.
  • Rodrigo y Gabriela — A man and a woman, armed only with two guitars, on the main stage. Sounds like a set-up for failure, but they pulled off a great show.
  • Jenny Lewis — I’m not familiar with Jenny Lewis as Jenny Lewis — but she did also perform some Rilo Kiley songs.
  • Wilco –Not a big Wilco fan, but Jeff said he was fine after two or three songs at the main stage. Of course, their opening number was “Wilco (The Song)” from their new “Wilco (The Album).”
  • The Mars Volta — Also not a big Mars Volta fan. Oh well.
  • Bruce Springsteen and the E Street Band — BEST SHOW OF THE FESTIVAL. The Boss was truly boss. Entertainment Weekly’s blog post about the show encapsulates Bruuuuuce’s performance better than I can.
  • Nine Inch Nails — Not a big fan of NIN, either. (Please don’t kill me.)
  • MGMT — I was nodding off by this point. (The set began at 2:15 a.m.) Jeff was dissatisfied with the set, so we left early. Apparently, their performance improved with time. Oh well.

SUNDAY:

  • Citizen Cope — I definitely slept during this set. It was good “sit under a tree and take a nap” music — and that’s pretty much what I did.
  • Andrew Bird — Did not fail to impress. I was happy!
  • Snoop Dogg — Snoop was about 30 or 40 minutes late, which had some people grumbling that he was going to pull a Kanye (who was almost four hours late to his set last year). We stayed for a few songs and then left.
  • Band of Horses — Great way to end Bonnaroo 2009. They played all the favorites and then left the stage, only to return for their encore during which they said they would play some new songs. But Jeff and I didn’t stick around for those. We had the car packed up and ready to go that morning, and after Band of Horses’ first set, we left Bonnaroo.
Evening at the Which Stage on Saturday.

Evening at the Which Stage on Saturday.

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Late last week, I had two rolls of film developed. One was a roll of Fuji 400 that I’d taken over winter break. The other was a roll of Fuji Superia 200 that Jeff and I shot last weekend when we went on a 10-mile walk with Esten on the MKT trail (beginning at Flat Branch Park). Now that the rolls are finally developed, scanned and edited, I am proud to present the following to the world.

[Note: All photos were shot on my OM-1. It’s old.]

  • This photo was shot out of a moving car on I-40 at the beginning of winter break. In all technical respects, this photo is horrible and disgusting. It’s out of focus, terribly grainy and overall blech-y. But I still love it. All the bad technical aspects kind of add up to make it almost dreamlike. [Fuji 400, 35mm]

  • The interior of one of the Anheuser-Busch brewing facilities. This and the stablehouse were the most architecturally fascinating in the general complex. [Fuji 400, 35mm]

  • Chelsea’s little sister Abbi, in their living room and ready for the family portrait. This negative is horribly scratchy and the exposure is grainy as all out, but somehow I still like this shot. [Fuji 400, 50mm]

  • This is at the beginning of our 10-mile walk last weekend. Here I am, with ridiculous sunglasses on my face and a ridiculous apple in my mouth and a ridiculous knapsack on my shoulders. [Fuji Superia 200, 35mm, photo by Jeff Lautenberger]

  • Some long stalks of grass in a field we found after going off the MKT trail, via a smaller side trail. The field belongs to the MU Conservation Department, or something like that. [Fuji Superia 200, 135mm]

  • The MKT trail as we began to head back. This was probably somewhere between the 3.75- and 3.5-mile marks. Love the way the sun hits the trees. Love the dynamic range. Love the light at magic hour. [Fuji Superia 200, 35mm]

  • Both Jeff and Esten questioned why I took this photo when I took this photo. I think I liked the way the trail forked off. And the way there was a lone, bare tree in the middle of it all. [Fuji Superia 200, 35mm]

  • Here’s Esten with his Leica. Lucky. [Fuji Superia 200, 135mm]

And that concludes this first official photo blog post. Hopefully this will be a regular thing — that is, shooting photos for fun. Unfortunately, my schedule doesn’t often allow for photo adventures, but this is something I’d like to do at least once a month. We shall see!

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