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Archive for the ‘Photography’ Category

Saturday night in St. Petersburg, Fla., was nothing short of epic.

At the Emerald Bar.

We started the night in a local dive bar, where one of the Poynter College Fellowship coordinators invited us to see some of her friends in the band that was performing there.

The sign reads, "Help Wanted: No Irish Need Apply"

After a little while, we left for another downtown bar. When Eli couldn’t get in, though, I left with him and suggested we have a photo adventure around town. That idea was botched when we ran into Gabe and Charlotte — and Gabe needed to retrieve his car, which had just been towed.

Once we’d driven all over St. Petersburg and finally found the towed-car lot, we decided to end the night at a local hookah bar.

Hookah

And we stayed there until about 3:30 a.m. Gotta love those crazy-long nights!

Check out a few more photos I didn’t blog here.

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We fellows at The Poynter Institute are scheming.

I’m not going to tell you anything about it until it’s done. But here’s a snapshot (literally):

Shhh -- secret!

Aaand — that’s about it for now!

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A few facts about Poynter’s senior scholar Roy Peter Clark.

This is Roy Peter Clark.

  1. He’s a Gleek.
  2. He plays rock piano.
  3. He claims to have seen every episode of Buffy the Vampire Slayer at least three times.

He’s also an incredible instructor whose discussion about writing I enjoyed this afternoon. Especially when the inverted pyramid model somehow became the martini model.

The martini model for newswriting. It's legit.

Later, we checked out gear from Poynter, which means that a substantial number of Canon 5D Mark II’s are now distributed among budding photographers. I’m pumped about this, as you can well imagine.

Ryan was a patient model for everyone.

After we played around with the gear, which also included video cameras and Marantz audio recorders, eight of us went to the Red Mesa Cantina for drinks and dinner. On the way home, I freaked out my two passengers — Emily and Kendall — by taking photos while driving.

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I’m pleased to present my final capstone project — my last project as an undergraduate here at the University of Missouri.

In the House of Representatives press gallery.

You can view my video/photo project in one of two places:

My website

or

My Vimeo page

What exactly is this project, anyway?

As I’ve hinted previously in this blog, the scene is the Missouri state capitol building, and the characters are various statehouse newspaper reporters. As for the story — well, let’s just say that as the economy takes its toll and the journalism industry continues to shrink, state capitol bureaus are suffering.

Last spring, The American Journalism Review published a survey whose results showed a more than 30 percent decrease in the number of newspaper reporters covering state capitols full-time over a period of six years. This survey was released while I myself was reporting in Jefferson City, the capital city of Missouri, so it seized my attention and I kept reading similar reports (such as this March 2009 article in The New Republic). A month ago, as I was searching for a story idea for my capstone project, I remembered the survey and reports — and contacted a few reporters and asked if I could follow and interview them.

I’d like to thank Chad Livengood of The Springfield News-Leader, Virginia Young and Tony Messenger of The St. Louis Post-Dispatch, Jason Noble of The Kansas City Star and Phill Brooks of Missouri Digital News for their immense help with this project.

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I might be biased… but New Mexican sunsets are the prettiest.

Sunset, coming out of Cochito Pueblo after leaving Kasha-Katuwe Tent Rocks National Monument. Portra 400VC, 120mm.

Having spent three full summers in New Mexico, plus a few others here and there, I’ve seen quite a few sunsets in the Land of Enchantment.

Sunset along I-25. Portra 400VC, 120mm.

I’ve also lived in Texas, Missouri and Maryland. They have nice sunsets, too. But they can’t beat New Mexico.

Santa Fe. Taken at f/3.5 and 1/15, I think, from a rest stop on the side of I-25 from the south. Portra 400VC, 35mm.

And how can you beat coming home to a city at the base of the Rocky Mountains?

You can’t.

But I’m also pretty biased.

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XXIV: Tent rocks

I’m in the midst of my last week at the University of Missouri, which means I have an exam, a paper, and a project to complete; a room to pack; and an apartment to clean.

But here are some more spring break pictures! After visiting Chimayó, Jeff and I went to Kasha-Katuwe Tent Rocks National Monument, which is only a few miles from Bandelier National Monument — but to get there, you have to drive almost two hours in the other direction.

The last five miles before you arrive at the national monument are a gravel road that’s being paved over this summer.

Part of the canyon. BW400CN, 120mm.

And to get to the tent rocks themselves, you have to hike — and sometimes climb — through a slot canyon.

It’s not a very narrow slot canyon, but you definitely have to do a bit of rock scrambling at points. Portra 160VC, 35mm.

But when you emerge from the canyon and hike/climb up a bit more, you see these:

Look to the lower right quadrant for the “tent rocks.” Portra 160VC, 35mm.

And there’s a wonderful horizon:

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Scene:

The Missouri State Capitol building in Jefferson City.

Here’s a (kinda) sneak peek at my final capstone project. It’s my last undertaking in the Missouri School of Journalism since, in exactly one week,  I’ll be graduating and hightailing it to the Poynter Institute as one of its 2010 College Fellows. So — what exactly am I doing for my project?

Well… I won’t disclose everything right now. But here’s the cast of characters.

Chad Livengood, a Springfield News-Leader reporter who is currently reporting on his third legislative session in Jefferson City.

Virginia Young, who directs the Jefferson City bureau for the St. Louis Post-Dispatch and who's been reporting there for 20ish years.

Phill Brooks, director of Missouri Digital News...

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Some artwork that Jeff found. Only in New Mexico. Portra 160VC, 35mm.

We spent only the morning in Chimayó. After exploring the Santuario and the surrounding area, we ate lunch at Rancho de Chimayó.

Prickly pear lemonade, with chips and salsa, to start off. Portra 160VC, 35mm.

After an afternoon siesta, we went to Kasha-Katuwe Tent Rocks National Monument — but most of that film has not yet been scanned.

I’m working on it, I swear!

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This post is about six months late — but better late than never, right?

The final joust.

Last Thanksgiving weekend, my sister-in-law Emily and I went to the Texas Renaissance Festival, where I spent much of the morning working on a multimedia project about an on-site brewery. The rest of the day, we wandered around the grounds. Emily had never been to a “RenFest” before, and I hadn’t been to the Texas edition since I was pretty young.

In addition to the fair ladies…

One of the ladies whose honor was being defended in the final joust.

…there were those whose costumes were just to shock…

Wondrous.

…and those who performed for the thousands of people who attended.

A member of the Clan Tynker performing group plays with fire.

There was also death.

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Jeff and I aren’t Catholic, but on Wednesday, March 31, we drove up to Chimayó to visit what “is no doubt the most important Catholic pilgrimage center in the United States.” (At least, according to the New Mexico state historian’s office.)

Santuario de Chimayo

Santuario de Chimayó. BW400CN, 120mm.

In other words, we went to El Santuario de Chimayó two days before Good Friday — two days before the grounds would be flooded with pilgrims who’d arrived there by walking for days. Admittedly, we didn’t even know about the “walkers,” as they’re called, until we were driving down the highway and saw signs warning the “Santuario walkers” to stay on one side of the road.

But it wasn’t terribly crowded when we were there on Wednesday afternoon, and it helped that we arrived just at its opening hours.

rosaries

Rosaries hanging in a small shrine at El Santuario de Chimayó. Portra 160VC, 35mm.

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Check out this photo of a Rock Bridge High School wrestler I took last semester:

Rock Bridge High School junior Josh Gaskins weight-trains before starting wrestling practice on Monday, Dec. 7 at Rock Bridge. Gaskins, who weighs 152 pounds, wants to be at 148 pounds by the end of the season.

Now, check this out:

This kind of banding and displacement within the photo freaked me out earlier tonight, when I was going through old photos. I didn’t know what happened to the file, and i t wasn’t just this photo shoot, either.

It happened with an informal photo shoot with Chelsea…

…as well as quite a few photos from an assignment about rural-area doctors… (more…)

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I’m pleased to launch my Web site website: christhedunn.com.

Click on the image to access my website!

It’s a pretty simple website, but I’ll continue developing it. It features my portfolios as both a visual journalist (with still photos and multimedia) and a reporter, and design-wise, I matched the CSS and styles to this blog and my Twitter page.

I welcome feedback, and please do let me know if you encounter any broken links or other glitches! Thanks!

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When we were researching Santa Fe before our trip — come on, we’re journalists — Jeff and I encountered quite a few websites and brochures calling Santa Fe “the City Different.”

Which seemed a little pretentious to me. You see, what makes Santa Fe “the City Different” is its adherence to the Spanish Territorial or Pueblo style of architecture and to its city-planning approach; both the architectural style and method of city-planning hail back to the 16th century. But I still thought the name was pretentious.

Then, when I was actually in Santa Fe, it hit me. Sure, many of the buildings are “faux-dobe,” but the city nevertheless looks unlike any other. In what other cities do you see new buildings styled in centuries-old architecture?

Anyway, I took the same photo I took almost three years ago — except this time, on film.

I think this is on the corner of Don Gaspar and Water in downtown Santa Fe. BW400CN, 120mm.

We walked around and had dinner in the Plaza after we left Bandelier and cleaned up a bit. Then, after dinner, we walked around some more and I saw a picture:

St. Francis of Assissi Cathedral

St. Francis of Assissi Cathedral. BW400CN, 120mm.

I wanna say this was shot at f/2.8 and 1/20th of a second. Not an easy task when using a medium-format SLR with a waist-level viewfinder!

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…and I’ll be in Santa Fe afore ye.

We attempted a James Dean look. Not quite successful. I blame my (relatively) clean Toyota. BW400CN, 35mm.

There are two ways to Taos (or, in our case, Santa Fe): the high road and the low road. The high road goes through Old Spain, with Chimayo and other small towns/pueblos along the way. It’s said to be pretty and scenic, and also a longer drive.

We took the low road — which largely follows the Rio Grande — because that’s the only way I knew. But there were still scenic byways.

BW400CN, 35mm.

Coming up next — even more scenicness… in color!

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We went to Guadalajara Grill after checking out the Rio Grande Gorge Bridge. I immediately searched the menu for the Azteca quesadilla (chicken), but I think Jeff’s attention went straight for the Mexican Coke sitting in the cooler.

BW400CN, 35mm.

Drink up, boy!

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Every time you go home after an extended absence, you hit up your favorite watering holes and restaurants.

Every time I go to Taos after an extended absence, I go to the Rio Grande Gorge Bridge.

Portra 400VC, 120mm.

Dedicated in 1965, it’s the fifth highest bridge in the United States, and the Rio Grande River flows in the gorge 650 feet below.

Gorge in the foreground, the Sangre de Cristo mountains in the background. BW400CN, 35mm.

It’s also near Taos Ski Valley and Wheeler, which at 13,661 feet above sea level is the tallest mountain in the state.

The Wheeler complex in the background. BW400CN, 35mm.

We visited the bridge after leaving Philmont and before eating a very late lunch — but that’s for later.

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Okay — nobody’s perfect. Including me.

 Portra 400VC, 120mm.

These two frames were supposed to show the flat Oklahoman landscape from the view of the road, but I severely underexposed the first frame and then bracketed in the wrong direction for the second. Oops. But these are the only frames I exposed incorrectly during the entire trip, so I’m fine with that.

It was not uncommon to see how distinct the irrigation lines are. Portra 400VC, 120mm.

On the second day of our roadtrip to Santa Fe, Jeff and I were out of Oklahoma by probably 11:30ish a.m. CST. Crossing the border meant we gained an hour and lost about 10 miles per hour in the speed limit. Ya lose one, ya gain one.

On US-412, leaving Oklahoma. Portra 400VC, 120mm.

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Stunning Kansan vistas outside my car window. BW400CN, 35mm.

In my experience, there are two kinds of roadtrips:

  1. Wherein the fun and adventure are invested in the roadtrip itself — that is, each stop (planned or not) is its own destination of sorts; or
  2. Wherein (most of) the fun and adventure are invested in the destination itself — that is, you have little comparable interest in what necessary food/gas/overnight stops you have to make, relative to your substantial interest in the ultimate destination.

Last spring break, Esten, Jeff and I mapped out and executed the first kind of roadtrip. This time around, Jeff and I just wanted to go to Santa Fe and stay there — but we did our best to make the drives there and back interesting.

In consideration of maximizing the interestingness of our drive, we seriously considered this: Staying in Liberal, Kan.

Junction of Pancake Blvd. and Yellow Brick Rd. in Liberal, Kan. Portra 400VC, 120mm.

When we were mapping out our route, we decided to bunk up in Liberal for the night because it seemed like a good stopping point between mid-Missouri and north-central New Mexico. (Okay, the name itself — “Liberal” — also intrigued us.) We were also fascinated by the facts that the town hosts an annual International Pancake Day and is home to Dorothy’s House and the Land of Oz.

Unfortunately, we missed Pancake Day by about three weeks, and I’ll be generous by saying simply that Dorothy’s House was a bit of a letdown. (That said, we were there on a Sunday — a day on which all commercial establishments except the Chinese buffet and the hotels in this part of the country are closed.)

So we snapped some photos around the Yellow Brick Road, ate at the Chinese buffet, decided against staying in Liberal and moved on to the slightly larger town of Guymon, Okla., where we spent the night.

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To be honest — I’ve lost track of this second 30-day challenge. One of the downsides of shooting film is that the date and time of the exposure aren’t recorded in the metadata, since there is no metadata.

Therefore, because I’ve been shooting on film since before spring break, I’ve lost track. But I think I’ve safely covered my bases for the 30-day challenge. Here are some film exposures I made before spring break. I’ll post the spring break film shortly. (Not all of it is ready yet — I still have about half a roll on both the OM-1 and Mamiya before they can be developed.)

Also, I feel horrible that this is my first post in almost a month. I was off the grid for spring break, and since then, projects and work have taken over my life. In fact, they are still taking over my life, but I’m fighting to take my life back — especially since I graduate in less than a month.

Without further ado, some snaps from the medium-format:

The first exposure on this roll of BW400CN. This is the sunset over the golf course near University Field (the Missouri softball stadium).

Stairwell in the Arts & Sciences building.

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