Feeds:
Posts
Comments

Archive for the ‘Photography’ Category

Let’s take a break from all the spring break roadtrip photo blog posts I’ve been putting up. Here’s my latest assignment for Advanced Techniques in Photojournalism: multiple flash.

Okay, I have to admit: I was TERRIFIED of having to use multiple flashes for this assignment.

The assignment:

Team up to assist each other in photographing an active situation using at least two strobes, one of which should be slaved or fired remotely. Just about anything can be fired using multiple flash, but good candidates for this assignment are things like sporting or cultural events, dance rehearsals, fashion shows and competitions — term projects.

Originally, my partner Matt and I were going to strobe up a practice at Hulett House (more about them in this blog post), as part of our group’s final project. But I wasn’t feeling well, and he had a paper he had to write anyway. So we ended up meeting on Monday — the night before the assignment was due, of course — and trying to figure out what to do.

After a stint at Capen Park didn’t work out and calls to other places didn’t go through, we ended up at Billiards on Broadway, where a few groups of people were playing pool. We chose to photograph Mike Smith, Chris Schulz and John Stone, who played several games. Fortunately for us, they didn’t mind being flashed with three strobes as they struck out billiard balls.

That’s right. Three strobes.

For my shots, here’s what I did:

  • I had an off-camera strobe (my 580EX II) attached via my shoe cord. Set on manual mode, this usually served as my key light. If I didn’t want it to be my key light, I’d simply aim it a little higher to trigger the other two strobes, which were optically slaved.
  • We had a Mini Morris, which is an optical slave whose power can’t be adjusted. Because of that, we simply sat it on nearby tables or the bar. Depending on the angle of my shot — which depended on where the players moved around the table — the Mini Morris acted as a backlight for some photos, a key for others and a side/fill for still others.
  • Matt set his strobe to act as an optical slave, and he would move around the table to accommodate my lighting needs — either to fill or highlight my shots.

Here are the three runner-ups, with explanations why I didn’t choose them as my select.

    While I like that we can see Mikes eye and utter concentration here, we can also see Matts flash in the lefthand side. Combined with that and the Mini Morris, the highlights in left side of the photo are blown out.

While I like that we can see Mike's eye and utter concentration here, we can also see Matt's flash in the lefthand side. Combined with that and the Mini Morris, the highlights in left side of the photo are blown out.

I like this photo. Its a bit dramatic, which I really dont mind. And I dont mind that you can see the Mini Morris in the righthand side (sitting on the bar). But I dont think Rita or Catalin would appreciate it, so this ones out.

I like this photo. It's a bit dramatic, which I really don't mind. And I don't mind that you can see the Mini Morris in the righthand side (sitting on the bar). But I don't think Rita or Catalin would appreciate it, so this one's out.

Disclaimer: I would have cropped this photo if it were my select. That said, its not my select because the red-striped ball is blown out and the yellow-striped ball in the foreground isnt lit well enough.

Disclaimer: I would have cropped this photo if it were my select. That said, it's not my select because the red-striped ball is blown out and the yellow-striped ball in the foreground isn't lit well enough.

So what does my select image look like? It’s not perfect, by any means, but I think it has the best combination of technique and composition.

Caption: MU student John Stone gets ready to strike the ball in a game of pool at Billiards on Broadway on April 20. Billiards on Broadway was previously located on Ninth Street. My only criticisms: You cant see Johns eyes, and the highlights in the lower righthand corner are a bit blown.

Caption: MU student John Stone gets ready to strike the ball in a game of pool at Billiards on Broadway on April 20. Billiards on Broadway was previously located on Ninth Street. My only criticisms: You can't see John's eyes, and the highlights in the lower righthand corner are a bit blown.

Overall, I feel a lot more comfortable with using multiple flashes. At first, it was pretty hit-and-miss, but I think Matt and I did a fairly decent job by the end.

Read Full Post »

This post really begins with Day 3, despite what the post subject will tell you. Determining which photos will be posted together is a bit tough, since I want to show the amazing/ridiculous variety of terrain changes we beheld but would rather not flood any post with more than six or seven images.

Aaaah, decisions, decisions.

  • DAY 3 (Wednesday, March 25) — cont’d.

So we left Grand Canyon National Park, with our night’s destination being Panguitch, Utah. It was a bit of a drive on Hwy 89, and we’d heard reports of an incoming blizzard — all the more reason to hurry.

The way there, though, was pretty. At least, it was pretty while there was light still out.

I think this might be Red Mesa, along Hwy 89.

I think this might be Red Mesa, along Hwy 89.

We didn’t arrive in Panguitch until around midnight, by which point a light snow flurry was falling.

  • DAY 4 (Thursday, March 26)

We awoke to find a blanket of snow outside our hotel. Fortunately for us, the roads were in excellent condition and we were able to head out and hit the road at a reasonable pace. Our destination for Day 4: Arches National Park, located just within the eastern border of Utah.

So, another ambitious day of driving. And on this day, we discovered that Utah is one crazy state. The terrain changes were simply incredible. You’ll see this for yourself, over this and the next few posts.

This was our first turn back toward the East in the trip.

Soon, we encountered the Rocky Mountains.

I promise there had been more snow than is evident in this photo.

I promise there had been more snow than is evident in this photo.

(more…)

Read Full Post »

  • DAY 3 (Wednesday, March 25) — cont’d.

As soon as we arrived at the South Rim entrance (or, one of them) at the Grand Canyon National Park, I knew we were in for something. Of all the national parks we visited over spring break, the Grand Canyon was the most organized — dare I use “regimented”? — and similar to Disney World. It was also teeming with tourists, which was somewhat surprising to me.

“It’s March! It’s cold! Why are there people there?” I exclaimed when I saw the queues of cars and vans and all the people milling around.

Apparently, there are even more people in the summer.

We drove past the first viewpoint, where — even from the road — we could snatch fleeting glances of the Grand Canyon. When Jeff pointed it out, I looked out the car window for myself. Sure enough, beyond the parked cars and wandering visitors and short barricades, I caught my first glimpse of that big hole in the ground.

“OH MY GOD, IT’S HUGE!” was approximately my reaction.

We stopped at the third or fourth big viewpoint for a little bit. There, at the overlook/gift shop, I bought a postcard for my best friend since kindergarten. I also took photos and was even more blown away by how magnificent the Grand Canyon really is.

Part of the South Rim, taken from the first viewpoint we visited.

Part of the South Rim, taken from the first viewpoint we visited.

(more…)

Read Full Post »

This is kind of an awkward post, because there are only three photos and they’re not the most stunning from this trip. But the next post will be all about the Grand Canyon… and it would be even more awkward to include these three with photos of that big hole in the ground.

Hence, this post.

  • DAY 2 (Tuesday, March 24) — cont’d.

We continued on I-40 after being too late to enter Petrified Forest National Park. At this point, we were driving through what would have been some really pretty desert, but the sun was setting rapidly and we couldn’t really see.

So we drove on.

Winslow, Ariz. Everyone knows that refrain by the Eagles:

Well, I’m a-standin’ on a corner

In Winslow, Arizona

And such a fine sight to see:

It’s a girl, my lord

In a flatbed Ford

Slowin’ down to take a look at me

Somehow, we found that corner.

We wanted to, but only if we could find it within 10 minutes or so. But we had no map of Winslow on us, so here’s what we did:

  1. We chose a random exit off of I-40.
  2. We kept going down that street, even though it seemed pretty residential for a while.
  3. We turned left off that street onto another road.
  4. Miraculously, that street turned into downtown.
  5. Jeff spotted The Corner, which was on the lefthand side of that street.

Another miracle on Day 2: We did make it to Flagstaff. Somehow, we’d gone from the middle of the Texas panhandle, through New Mexico and halfway across Arizona in one day, and had a lunch stop and a two-hour photo break at Sky City.

  • DAY 3 (Wednesday, March 25)

After breakfasting in downtown Flagstaff and loading up on snackable goods at a grocery store, we headed north on Hwy 180 toward the Grand Canyon. Those photos will be in the next spring break blog post. But in the meantime, the area north of Flagstaff was nothing short of astoundingly pretty.

Another shot taken out of the car window. Aspens are my favorite kinds of tree - and there was snow sitting on the ground!

Another shot taken out of the car window. Aspens are my favorite kinds of tree - and there was snow sitting on the ground!

Humphreys Mountain, whose peak is 12,400 feet above sea level. This was our first time seeing mountains up close on the trip, and it was a wonderful sight.

Humphreys Mountain, whose peak is 12,400 feet above sea level. This was our first time seeing mountains up close on the trip, and it was a wonderful sight.

Then the woods quickly became desert. And then woods again.

Arizona is a very strange place.

  • COMING NEXT: The Grand Canyon is pretty damn grand

Read Full Post »

Right now, I’ve got banana bread baking in the oven. But also right now, I’ve got a few more photos to share with you. More will come later today, as well!

  • DAY 2 (Tuesday, March 24)

We were out of Palo Duro Canyon by 8:30 a.m. and immediately hit the road. Our final destination? Flagstaff, Ariz. That’s right: Our plan for Day 2 was to exit Texas, cross the entire state of New Mexico and end up in the middle of Arizona.

Quite a drive.

The Sandia Mountains, as seen from I-40. These mountains border northern Albuquerque.

The Sandia Mountains, as seen from I-40. These mountains border northern Albuquerque.

The above photo was taken out of the car window as we drove down the interstate at the maximum legal speed. I should come out and say right now that I took quite a few out-of-the-car-window photos, and that quite a few ended up in the final edit.

As ambitious as our drive was for Day 2, we planned to make two stops. The first: Sky City on the Acoma Pueblo Native American reservation. The second: Petrified Forest National Park.

We stopped at Sky City and took their tour, but we didn’t make it to Petrified Forest until after hours.

(more…)

Read Full Post »

Finally, finally, finally! It’s been a few weeks, but I’m finally done editing spring break roadtrip photos. I’ve pared everything down and have 122 photos to share with everyone.

For the most part, I’ll be posting/sharing them on a day-by-day basis, because dumping all 122 photos at once seems a little like overkill. Not every single one of those will be posted on this blog, but you can find each of them at my Flickr — specifically, within this photo set.

And now let’s start the journey.

  • DAY 1 (Monday, March 23) —

At 5 a.m., Jeff and I arrived at the Tulsa Greyhound station, where Esten picked us up. We immediately began the journey from there.

Our first photo-taking venture was in Texola, Okla., where Esten had been before and knew of an interesting building we could photograph. An interesting building? Apparently it’s mentioned in a bunch of books about Route 66. It’s about two blocks from the highway.

We then sailed through Oklahoma and soon arrived in the Texas panhandle, which is home to…

THE BIG TEXAN. Which is home to the free 72-oz. steak. Which is free only if you eat it — as well as salad, rolls and a loaded baked potato — within an hour.

Everyone in Texas — and hell, a lot of non-Texans — know what The Big Texan is. I myself am Texan, born and raised. But I’d never stepped foot inside The Big Texan, much less eaten there. And now I’ve done both, and now I truly am a Texan.

We spent that night in Palo Duro Canyon State Park. Palo Duro Canyon is the second biggest canyon in the U.S., or so I’m told. But by the completion of this roadtrip, I was unconvinced of that bold claim. We saw some pretty big — and, dare I say, more magnificent — canyons later on in the week.

This is an HDR image, created from three bracketed images. Not entirely well done, but necessary because of the extreme shadows at sunset.

But Palo Duro was fine for our first day of touring the great American West, as well as our first night of camping.

Oh gosh. Our first night of camping. It was so windy. And canyon bottomlands can get quite chilly, as we found.

But the night sky was beautiful, at least for as long as we could bear the cold to watch and photograph it.

  • COMING NEXT: A city in the sky in beautiful New Mexico

Read Full Post »

I photographed the Midwest Fight League‘s Battle at The Blue Note X on Saturday as part of the final group project for my Advanced Techniques in Photojournalism class.

It was not a piece of cake.

For our group project, we have shot a few practices for Hulett House fighters. Hulett House was founded by Rob Hulett and is Columbia’s representative in the Midwest Fight League — which was also founded by Rob Hulett. The big tournament was this Saturday, so naturally all four of us went there to photograph and record audio.

We had one remote camera set up, as well as a lit portrait set-up out in a back alley. The idea for the portrait set-up was to photograph “before” and “after” portraits of the Hulett House fighters.

This is the portrait set-up we had in the back alley of The Blue Note for the mixed martial arts tournament on April 10. Two lights (cant remember what their name is) and a 5D MkII. I manned the set-up for the first three hours overall and first two 2.5 hours of the tournament.

This is the portrait set-up we had in the back alley of The Blue Note for the mixed martial arts tournament on April 10. Two lights (can't remember what their name is) and a 5D MkII. I manned the set-up for the first three hours overall and first two 2.5 hours of the tournament.

I spent the first three hours out in that back alley. It was pretty cold, but I got to spend the rest of the time inside shooting the tournament after two of my group members relieved me of portrait duty. But by that point, there were only a few fights left, my lenses were fogged after coming in from the cold and I had no idea where I was allowed to shoot or how proceedings at the tournament worked.

So I had to make a quick study. It was a tough adjustment to make, and once my lenses were clear, I tried to get some good shots. Maybe I’m being too hard on myself, but this was not my best shoot. Below are three of my better shots from that night.

Mixed martial arts fighter Justin Kelly finishes greeting his fans from inside the cage after winning his bout with Darwin Hill in the Battle at The Blue Note X on April 10.

Mixed martial arts fighter Justin Kelly finishes greeting his fans from inside the cage after winning his bout with Darwin Hill in the Battle at The Blue Note X on April 10.

Tim Hillcock braces for a blow from Ira Mosely in a mixed martial arts fight during the Battle at The Blue Note X on April 10.

Tim Hillcock braces for a blow from Ira Mosely in a mixed martial arts fight during the Battle at The Blue Note X on April 10.

Mixed martial arts fighter and three-time champion Mario Vazquez raises his arm and Mexican flag after winning against Tim Hemmingway in the Battle at The Blue Note Xs final bout.

Mixed martial arts fighter and three-time champion Mario Vazquez raises his arm and Mexican flag after winning against Tim Hemmingway in the Battle at The Blue Note X's final bout.

So again: not really a piece of cake. I tried some other angles — namely, an above angle, from the stage rafters — but they didn’t really work out for me. I should have worked some other angles, such as from the balcony, but was still trying to get to know my way around the tournament in general.

And why do I keep talking about cake? Because I just made some delicious chocolate cake with delicious chocolate frosting. I frosted the cake right after it came out of the oven, so that part of the frosting permeates the cake. It’s very rich and moist and chocolate-y, and per Jeff‘s request, I photo’ed the end result. And while he didn’t request that I use a single-flash and shoe cord in the process, to show the cake and the frosting without cutting the cake, I did.

Mmm, the richness.

Oh, and spring break roadtrip photos? They’re coming along. They really should be ready sometime this week. Check the blog later!

Read Full Post »

Every minute of my spare time this week has gone toward editing spring break roadtrip photos, of which there are many. I’m not done yet, alas, but here’s a snapshot of the variety of photos you’ll see on my blog and in my Flickr if you check back later!

snapshots

And those are just a few of the 107 digital photos I’ve edited (but not all 107 will be posted on-line!). I just got my film developed, so it’ll be a while before I have it scanned and edited. Currently, I’m working on the HDR images. Not sure how many of those I’ll have in the end.

Here are my thoughts about HDR (high dynamic range): Sometimes it can be done very well. I’d like to say that most of the time, it can be done very well. But some photographers (no names, no examples — that’s mean) really go overboard and create HDR images that just scream, “I AM HIGH DYNAMIC RANGE.”

Ideally, HDR images are created using five or more exposures that are bracketed, or taken at different exposures (typically via changing the shutter speed). But because we didn’t carry a tripod around with us everywhere on the trip, we took three bracketed exposures for our HDR purposes. So I’d find something I want to shoot, make sure my drive was set on hyper (to increase the speed at which the exposures were taken and decrease the probability of camera movement between the exposures), set my bracketing stops and fire off three exposures.

So even if I wanted to, I can’t create an HDR image that screams, “I AM HIGH DYNAMIC RANGE,” simply because I only took three exposures. But I don’t want to anyway. My approach is to create an image that looks like a normal exposure but with greater detail in the shadows and highlights. Why not just use Photoshop’s Shadow/Highlight tool on a correctly exposed image? Because, in many of the places we photographed, the sky was too bright and the shadows cast by/on the rocks and foliage were too dark to retain any detail in those areas.

In conclusion — I have a lot of work cut out for me still, what with scanning/editing my film and editing HDR. I want to wait until it’s all done before I start posting photos on-line, just for the sake of keeping everything in chronological order. So hopefully I’ll be ready to do that within the next week. But no guarantees.

In the meantime, you can check out the snapshots I provided above and be amazed by the variety of places we visited and passed. (More than a few of those photos were taken out of the car window as we sailed past at 65 or 70 miles per hour.) I’m still astonished that we were able to complete such an incredible itinerary in seven days. Although really, it was six, because on the seventh day, we drove back home through Colorado and Kansas. Terrible drive.

Anyway. Check back later for photos!

Read Full Post »

I am back in Central Time, meaning it is 1:38 a.m. in Columbia, Mo. My bed is still unmade, my bags are still packed and I have to be ready for a Jefferson City shift in about nine hours, but I can’t sleep because:

  • I’m thinking about just how much I have to get done this week,
  • I’m reflecting on how incredible this past week was,
  • I feel like going to sleep means completely closing the door on this past week and forcing myself to resume life as a student and reporter,
  • and I need to correct a few things from the previous blog post.

The biggest thing I need to correct is the mileage. I originally said we put about 3,000 miles on Esten’s CR-V this trip. His spring break odometer actually reads 4,040 miles. Granted, some of that is from his camping trip the weekend immediately prior our roadtrip, but certainly at least 3,700 miles of that are from our adventuring out West.

Another minor correction: yet another attraction we didn’t get to check out was the Petrified Forest. And I probably spent more than $200, but I really don’t feel like adding up numbers from my on-line checking account.

Also, here are some more numbers, just for fun:

  • I took 1,175 digital photos this trip.
  • Of those, 371 are for HDR (high dynamic range) purposes. Hurrah for bracketing and, consequently, necessitating a lot of editing!
  • Of the remaining 804 photos, 169 have survived the preliminary edit. Meaning, those 169 will be examined more closely, and those that survive the second edit will be toned/etc. From there, those that survive the third edit will appear on-line at some point.
  • I shot three rolls of Fuji Superia 100 and nine exposures of a roll of Fuji 400. I can’t decide if I should try to use up the remaining 27 exposures on the 400 or if I should just get all four rolls developed so I can see how my film turned out.

So, um, yeah. I have a lot of editing to do. Especially in the HDR department, which should prove interesting since I’ve never edited HDR before.

Again — hopefully I’ll have some photos ready by this weekend. In the meantime, I just need to plow through all the schoolwork, reporting and cleaning I have to get done before I can start playing with photos.

Finally (and also in the meantime), I already miss the West. I already touched on this in the previous post, but damn. Driving through eastern Colorado, Kansas and half of Missouri en route to Columbia made me realize just how spectacular the West is.

I mean, I’ve been West before. I’ve spent three full summers and part of four other summers in the Sangre de Cristo Mountains in northeastern New Mexico (i.e., Philmont Scout Ranch). But everything I saw on this trip (exception: today’s drive) was something I’d never seen before. If only we had more than a week — and the funds — to truly explore the great American West.

Someday. Someday I’ll return.

But for now, as Davy Knowles sings in one of his songs, I’ve gotta roll away.

Read Full Post »

ALAMOSA, Colo. — My feet are just now thawing out after adventuring in the Great Sand Dunes more than seven hours ago.

We concluded today (Day 6, Saturday the 28th) at the Dunes. Well, actually we just returned from Pizza Hut, which is apparently the only restaurant that offers anything vaguely resembling Italian cuisine in Alamosa. But anyway.

At the Dunes (where we didn’t have to pay an entrance fee, as was the case with Black Canyon of the Gunnison), we took the road all the way to the primitive, four-wheel drive section which ended at the Sand Pit. From there, we crossed the creek, which is how my feet — shoed only in Chacos and socks, once again — came to be so wet and cold. I’m pretty sure that water was just above freezing.

And then we adventured around the dunes until a little after sunset. And now our socks and shoes/sandals are still damp and sandy and gross-smelling. But no regrets.

L-R: Jeff, me and Esten at the Great Sand Dunes! We look ridiculous.

L-R: Jeff, me and Esten at the Great Sand Dunes! We look ridiculous. Photo by Jeff.

IN REFLECTION — So tonight is our last night on this epic spring break roadtrip, and tomorrow we make the very long drive back to Columbia, Mo. We guesstimate the drive to be about 14 hours, and none of us is looking forward to that or to schoolwork.

But this trip was nothing short of amazing. Let’s take a look at the numbers:

  • Approximately 3,000 miles from start to finish.
  • Seven days and six nights on the road.
  • About $200 spent by each of us, give or take $100. (Big range, I know.)
  • Two pairs of jeans for me. They were both pretty ragged already anyway.
  • Two nights of camping, although originally we were supposed to have three.
  • Four national parks and one state park visited in six days.
  • Fourteen cameras among the three of us.
  • Six flash units/strobes among the three of us.
  • Who knows how many batteries, memory cards and rolls of film among the three of us.

If anything, this trip has both pacified and exacerbated my desire to explore and take photos and travel. Having spent the greater part of the past three years either in Columbia or New Mexico (and the past 20ish years in Houston, Texas), I’ve developed a case of cabin fever… which is only part of why I was so excited about this roadtrip and am so excited about spending this summer in Washington, D.C., as an intern for washingtonpost.com.

At the conclusion of this roadtrip, I’m happy that we were able to complete our itinerary as planned, with the exception of Kodachrome Basin and camping out in Black Canyon. But: I didn’t think it could happen, but I’ve fallen even more in love with the West than I thought possible. My thirst for photo adventuring has only been further whetted, and now I know I have to return to the West sometime, to explore it more thoroughly. I have no idea when I’ll have both the time and funds for such an extended photo adventure, but I know it has to happen.

I have a lot of work cut out for me next week. Tomorrow evening, we’ll be back at school where classes,  exams, work and other such real-world responsibilities face us. My room is still messy from my scrambled efforts to pack for the trip. Thanks to the embargo on all economic/political/etc. news that Jeff placed on me, I have a lot of catching up to do before I resume reporting in Jefferson City on Monday. (But no regrets!)

So who knows when I’ll have the time and energy to edit all the photos I’ve taken? But I’ll try to start posting photo entries by this weekend. In the meantime, I’m so glad we could have a week-long photo adventure in the great American West. Peace, y’all, and next time I post to this blog, I’ll be back in Missouri!

Read Full Post »

ALAMOSA, Colo. — We hotel’ed it up last night (when I began writing this post), which was not according to our original plan. But it’s fine by me, because it means I could dump the contents of my full 4GB memory card into my laptop, as well as Tweet and blog.

The past however many days (I’ve lost track) have been amazing. Everything’s been blending together — only yesterday, I wasn’t sure if we’d had lunch at the Little Wonder Cafe in Richfield, Utah, yesterday or the day before. Thank goodness I’ve been writing small updates in my actual journal every day.

On Day 3 (Wednesday the 25th), we headed north to the Grand Canyon after breakfasting at the Downtown Diner in Flagstaff, Ariz. (Aside note: Flagstaff — or what we saw of it — was fantastic.) I am pretty much in love with the woodsy area north of Flagstaff, especially where the aspen trees grow. Those are my favorite trees.

The Grand Canyon was beyond anything I’ve seen. As cliche as this is, I have to say it: no photos can do it justice. I can’t count how many photos and other depictions of the Grand Canyon I’ve seen in my lifetime, but when I saw that big hole in the ground for myself, I was simply stunned.

Jeff, Esten and me on the Bright Angel trail at the Grand Canyons south rim.

Jeff, Esten and me on the Bright Angel trail at the Grand Canyon's south rim.

We took the Bright Angel trail down the canyon for about an hour, at which point time constraints forced us to head back up. After sailing through a Navajo reservation where the dust and sky and rocks were so very red, we dined at a Fiesta Mexicana in Page, Ariz. We ended the night in Panguitch, Utah, just as a snowstorm was coming in.

Day 4 (Thursday the 26th) was an epic day of driving, and marked our first eastward mileage of our trip. We awoke to find about an inch or two of snow on the ground, and headed out almost immediately. After we lunched at the Little Wonder Cafe in Richfield, Utah, we continued east and saw just how ridiculous Utah’s terrain is along I-70.

The snow-dusted Rockies turned into orange desert, and then we spotted Devils  Canyon bordering the southern side of I-70 — so of course we had to stop and take photos. Then we passed through the San Rafael Swell, and then more orange desert… which was, like the Rockies, also dusted with snow from the previous night.

We ended the day at Arches National Park. Actually, we ended it in a campsite just outside of Arches, along the Colorado River where it was 20 degrees and fiercely windy. But before we had our one night of extreme camping, we spent a few hours in the park, where we hiked up to the Delicate Arch and photographed that arch just in time for sunset.

Normally I wouldn’t go into detail about dinner, but I have to say this:

  • We ate at Burger King.
  • Esten tweeted about burger shots.
  • We followed the NCAA tournament MU-Memphis game (Sweet Sixteen!) via Jeff’s phone via ESPN. Go Tigers!

Finally, yesterday. We began Day 5 (Friday the 27th) along the Colorado River, where we woke up barely alive from the cold and windy night. We photographed the sunrise along the river’s rocky bluffs and then headed back into Arches to take photos of the Windows Section.

After a lunch break at Pablo’s Pizza in downtown Grand Junction, Colo., we pretty much shot straight to Montrose, Colo., where we encountered some confusion (and hilarity) with the Days Inn situation there. We then headed out to Black Canyon of the Gunnison.

A note about this national park — none of us had ever heard of it before. My older brother Matt had been there last summer, when he and two friends roadtripped the West and hit up 20 national parks in 33 days. (His trip was part of the inspiration for ours, at least when I first seriously started thinking about spending spring break on a westward roadtrip.)

A sign posted on the entrance building announcing no entrance fees during winter was a very pleasant surprise. So was the rest of the drive, during which we simply drove through the park, stopped at the various viewpoints and did our thang. The canyon is gorgeous and its walls are sheer and steep (the canyon’s average slope is a drop of 43 feet per mile). Perhaps best of all, a) we were there in time for sunset light and b) the snow from two nights ago highlighted the canyon walls’ ridges. These combined for a great photography experience.

Here’s where I discuss why this blog is titled as such. I must admit: when it comes to getting photos and adventuring, I’m a little reckless of my personal safety and wellbeing. (This is why my mother worries about me so much!) This reckless side of me especially came out at Black Canyon, as I was walking around in the snow wearing Chacos and socks.

Its a shame you cant see how deep the snow is, here. But at most of the viewpoints where we stopped, the snow was 2-4 inches thick.

It's a shame you can't see how deep the snow is, here. But at most of the viewpoints where we stopped, the snow was 2-4 inches thick.

I was also sitting on top of the railings at the various viewpoints and climbing on top of the rocks that are there to protect viewers from falling into the gorge/river below. I eventually had to stop because Jeff and Esten were fretting.

What can I say? I take risks. The West does things to me.

After we left Black Canyon, we ate at a surprisingly good Chinese place in Montrose and then went back to our hotel. As I mentioned in my first sentence, this was not according to our original plan, wherein we were to have camped at Black Canyon. But again — there was snow, the temperature was dropping and we’d already had one (sleepless) night of extreme camping.

Today, Day 6 (Saturday the 28th), we continued east after browsing a Montrose camera store. On the way, we went over Monarch Pass and the Continental Divide at 11,312 feet above sea level.

Now we’re in Alamosa, Colo., and about to hit up the Great Sand Dunes once the MU-UConn game reaches some conclusive point. I should have one more blog post up tonight, and then hopefully photo posts to come later this week!

Read Full Post »

FLAGSTAFF, Ariz. — In Central Time, it’s currently 1:33 a.m. on Wednesday the 25th. But where I am, it’s 11:33 p.m. on Tuesday the 14th. Apparently Arizona does not acknowledge Daylight Savings.

Depending on where you are, Esten, Jeff and I are either on Day 2 or 3 of our epic spring break roadtrip out West. I’m sitting in a Days Inn in Flagstaff along Route 66, and this is the first time we’ve had Internet since we began our journey. Because of time constraints and limits on my laptop’s hard drive space, I don’t have any photos ready to post here.

On Day 1 (Monday the 23rd), Jeff and I arrived at the Tulsa Greyhound station at 5 a.m. Esten picked us up shortly thereafter. We breakfasted at Waffle House and stopped for a few photo opportunities in Texola, Okla.

Then we arrived in Amarillo, Texas, and lunched at The Big Texan — yes, that home of the free 72 oz. steak! But it’s free only if you a) eat it within an hour and b) completely consume a fully loaded baked potato, salad and rolls along with it. None of us attempted the challenge, but as a native Texan, I finally feel complete after dining at that landmark restaurant.

We camped out in Palo Duro Canyon that night, where we completed two hikes. I got pretty scraped up on the first hike; Jeff has photos. The damage is worse than anything I’ve ever had at Philmont: terrible scrapes on both calves, my upper right thigh and my upper right arm, as well as a pretty deep splinter on my left index finger. That’s what I get for messing with Texas.

On Day 2 (Tuesday the 24th), we set out at 8:30 a.m. and reached the New Mexico border in no time. We breaked for lunch at this little Mexican restaurant called Padilla’s, in Albuquerque. Jeff’s dad found the place for us, via Google, and upon hearing that it’s cash-only and next to a laundromat, we knew it had to be good. And it was. Unfortunately, my chicken enchilada was swimming in green chili sauce. Fortunately, the sopaipillas were amazing and soothed my tongue.

We spent two hours or so at Sky City on the Acoma reservation, which is west of Albuquerque. Then we tried to make it to the Petrified Forest before it closed/sunset, but didn’t quite make it. So we trudged on West on I-40; stopped to take photos at a corner in Winslow, Ariz.; and are now lodging at Days Inn.

Tomorrow, we go to the Grand Canyon. I’ve never been to any of these places, so I’m super excited.

And I think it’s time for me to brush and get offline!

Read Full Post »

WESTWARD HO!

hitchhike800

This spring break will be one of friends, adventures, photography and the West.

Tonight, Jeff and I will board the Greyhound to meet Esten in Tulsa. From there, we’ll begin our epic roadtrip. You can check out our general route below:

route

The green markers are where we'll be staying overnight. The routes between the markers will certainly deviate from what's shown in this map, especially between points E and F.

So, what’s the point of this roadtrip?

TO TAKE PHOTOS.

Actually, this roadtrip was the brainchild of my friend Chelsea and me. I’ll put it this way: we were not happy with things in the East (that is, east of the Mississippi), and one night, I said, “Screw the East. Let’s just roadtrip West over spring break.”

That was in mid-October. Since then, we recruited Jeff to join us, Chelsea dropped out and Esten hopped in on the plan. Jeff, Esten and I happen to be pretty avid photographers — hell, we study photojournalism — so what was once a trip to escape the clutches of the Midwest and East has now become a prolonged photographic adventure. Each of us is armed with at least one DSLR and one film camera. (Knowing Esten, he probably has four or five film cameras in tow.)

We’re pretty damned excited. Here’s why I, for one, am pretty damned excited:

  • I love roadtrips.
  • I love photography.
  • I love photo adventures.
  • I love the West. It’s so damn romantic. Mountains, deserts, long roads, big starry skies — it’s majestic and real, and empty and full at the same time.
  • I’ve spent the past five summers in the West, either as a participant or employee at Philmont Scout Ranch. Now, for the first time since 2001, I’m going East in the summertime, as I’ll be interning at washingtonpost.com. Call me sentimental, but I view this trip as my farewell to the West before my big adventure East.

Of course, you can expect to see photos. We should have Internet access twice on this trip, so I don’t plan on having any photos uploaded until we return to Columbia next Sunday. That also means that this blog will be a little empty for a while, as well as my Twitter. But there will definitely be plenty photos up in the coming weeks, depending on how quickly I can get the film developed and edit everything.

That said, I’m signing off this blog for a little while. Maybe I’ll have some brief updates when we do have the Internet those two times, but who knows? We’re on this trip to explore what regions of the West we can fit in a week, and having fun and taking photos are our prerogative.

P.S. Regarding the big photo above… no, I was not actually hitchhiking on the Taos gorge bridge. And no, the photo (taken by my good friend Stephen Bush last summer) will not represent actual activities to be attempted during this roadtrip. For serious. And the text comes from a song that only Philmont aficionados would know; it’s called “I Don’t Mind.”

Read Full Post »

I love color. I really do. To attempt to explain why color is such a dynamic force in visual sensory input and photography is absolutely pointless, so I won’t try.

But I hate white balance. Especially when your photo has multiple light sources whose color temperatures are vastly different. For example, this photo taken in December, of my soon-to-be sister-in-law Emily, who’s listening to my older brother’s instructions on how to give him a haircut:

See how BRIGHT BLUE that area over Emily’s shoulder is? That’s my brothers’ room. (This photo was taken in the upstairs bathroom.) And that’s how different the color temperatures are between the light in my brothers’ room and the bathroom. Absolutely hideous.

For this assignment in Advanced Techniques in Photojournalism, we were to take photos in two kinds of light: fluorescent and tungsten. For each environment, we were to:

  1. take a few JPG shots, with the camera set on daylight white balance and without using a flash;
  2. keep the daylight white balance BUT use a flash;
  3. change the camera’s white balance setting and add a gel to the flash (correspond the color of the gel and the white balance setting to the kind of light in that environment); AND
  4. switch the format to RAW and repeat steps 2 and 3.

This week has been absolutely crazy for me, so of course I shot everything kind of at the last minute.

For my tungsten take (which I did tonight — er, yesterday, since it’s now 1:30 a.m. on Thursday), I photographed Comedy Wars at Memorial Union. Comedy Wars is kind of a “gimme” for photojournalism students here at MU: it’s a regular weekly event, it has honest emotion (laughter, shock, etc.) and it’s just fun. I hated to have to use it, since it’s such a staple/crutch and has been shot for every single photojournalism course in the history of this school, but hey — I got my take. And Comedy Wars wasn’t my first choice, either. As several of my friends can attest, I attempted two other shoots, both of which were canceled.

Fortunately, we have to turn in only one select image, and fortunately, my photos from my fluorescent light take turned out much better than my tungsten photos.

For my fluorescent take, I went to the Columbia School Board candidate forum on March 16. It was jam-packed; there was actually an overflow room wherein attendees could watch the forum of eight candidates (one candidate didn’t show up) via a livecast on the TV set.

Brief aside: LIFE photographer Alfred Eisenstaedt is one of my favorite photographers. He’s best known for his iconic sailor-kissing-the-girl-in-the-parade photo, but this is my favorite photo of his:

This photo was taken in 1963 in Paris, at a puppet show. I’d grown up poring over those coffeetable books of famous LIFE (and other) photos, so I’ve always been familiar with the photos whose impact earned them a place in visual storytelling history. But it wasn’t until fairly recently that I saw the above photo. As I’d just switched majors from print/digital reporting to photojournalism at the time, I instantly recognized and appreciated Eisenstaedt’s capturing the true image from that puppet show: not the puppets themselves, but the children whose imagination and attention were so caught up in the show.

Which is why, at the school board candidate forum, I opted to turn the camera onto the audience after I snapped a few shots of the candidates themselves. My images aren’t nearly as compelling or exciting as Eisenstaedt’s, but hey — these images of the audience tell a greater visual story than the candidates do.

Here is the original copy of my select image:

And here is the toned copy:

Eight-year-old Isaac Bledsoe tries to pay attention during the Columbia School Board candidate forum at the District Administration Building on March 16. Bledsoe - with his mother Ann and his 10-year-old sister Cayley - attended to support his father Marc Bledsoe, who is one of nine candidates running for a spot on the school board.

Eight-year-old Isaac Bledsoe tries to pay attention during the Columbia School Board candidate forum at the District Administration Building on March 16. Bledsoe - with his mother Ann and his 10-year-old sister Cayley - attended to support his father Marc Bledsoe, who is one of nine candidates running for a spot on the school board.

And here’s another shot from the same forum, of the overflow room I mentioned earlier:

Judy Brivitt (foreground) watches a livecast of the Columbia School Board candidate forum in another room of the District Administration Building on March 16. The room in which the forum was held was standing room only, forcing other attendees to watch the livecast nextdoor.

Judy Brivitt (foreground) watches a livecast of the Columbia School Board candidate forum in another room of the District Administration Building on March 16. The room in which the forum was held was standing room only, forcing other attendees to watch the livecast nextdoor.

A gelled flash was used to make both images (as well as many others). The color temperature in both the forum room and the overflow room wasn’t as awful as it could have been, but nevertheless was not quite ideal. I think my photos from this take turned out relatively well. My Comedy Wars photos, on the other hand — well, let’s say that shooting in tungsten is something I should probably practice on.

Read Full Post »

Photographers. We like to shoot and flash people.

With our cameras.

Sorry, I just had to throw that one out there!

Anyway. Our latest assignment for Advanced Techniques in Photojournalism was to use a single flash to overpower the existing light in our photo. We were to do this in two different takes:

  1. Bounce flash — This could be either on or off the camera.
  2. Direct flash — This had to be off-camera, meaning a shoe cord would be necessary.

I’ve done some flash work before, so I wasn’t as uncomfortable with this assignment as I was in the studio for our classmate portraits. Although I’d never used guide numbers and formulas to calculate how I should power up my strobe, I’ve done work with both manual and TTL flashes before. When I worked at Philmont Scout Ranch in 2006, the photo department was still using film (Pentax 6×7’s — what glorious old beasts!), which we developed and then printed ourselves. So of course any strobe work we did was completely manual, and I’m still very proud of a few exposures I made wherein you can determine that a strobe was used only by a few small shadows.

Most recently, I photo’ed senior portraits of my friend Chelsea’s brother Zak. In preparation for this shoot, I photo’ed Chelsea herself and was really pleased with how the below image came out, what with the sunlight acting as a hairlight and the flash acting as the main light source:

But for this class assignment, we couldn’t set anything up. So for my first take — in which I used the strobe as a direct flash — I went to open mic at Mojo’s on Monday. Here’s my select shot from that take:

Sam DAgostino and his daughter Anna perform together during open mic at Mojos on Monday. DAgostino - who used to manage Mojos and The Blue Fugue - and his family often play music in a group they call Pop Fiction.

Sam D'Agostino and his daughter Anna perform together during open mic at Mojo's on Monday. D'Agostino - who used to manage Mojo's and The Blue Fugue - and his family often play music in a group they call "Pop Fiction."

I had a really hard time with the direct flash take. All my images of the first few performers at the open mic section were coming out terribly, as if they were taken with a dinky point-and-shoot camera and not a DSLR and off-camera flash… that is, everything was overblown and just awful. Awful, awful, awful.

Plus, I was using my flash on manual mode, not TTL. Before I even began the class, my good friend Esten told me always to shoot on manual. I said I would only if I wasn’t under pressure, at least not until I became more comfortable with strobe work.

Well, I changed my mind. When former Maneater photo editor Ryan Gladstone and I shot the Missouri-Kansas mens basketball game in Lawrence, Kan., in January 2007, he asked me what mode I was using to shoot. I said I was shooting on aperture-priority, at which he shook his head and advised me to always shoot on manual. I said I would start trying that after the game. And I did. And I grew to like having complete control over my exposures, and now I can’t shoot any other way.

(more…)

Read Full Post »

I am blogging live as a volunteer at Pictures of the Year International, an international contest to which photographers send submissions in dozens of categories. Currently, the three judges are going through the final cut of the multimedia feature story category. At any point, you can click here to watch/listen the judging live.

I’ve also sat through the judging of science/natural history and science/natural history picture story. It seems that every year, I miss the judging of the sports categories — every year, for POYi and CPOY — because it’s always the first overall category to be judged.

POYi and CPOY always renew an interesting discussion among my photojournalism friends: the extent of post-shooting editing. I’m not going to single any photographers or images out, but the winning entries are more often than not the most heavily edited. Photoshop-induced vignetting, heavy levels clipping, massive amounts of over/undersaturation… those seem to be the overarching trends.

(more…)

Read Full Post »

The hours between 8:30 and 11 a.m. constituted the single most productive Sunday morning I’ve had since last summer at Philmont. Laura and I were partnered up for the class Metal & Glass assignment, wherein

You are paired up so that one can grip for or assist the other and visa versa [sic]. One of you is to photograph glass or translucent objects and the other will photography [sic] metal objects. When you are not the shooter, you are to be the assistant, which means the second set of eyes and hands on the shoot. (Syllabus)

I shot glass; Laura shot metal. Check her blog later to see her shots of the coins we donated and the piggy bank we destroyed!

For my shot, I bought six vases at Michael’s and used paintbrushes and dipping pens that I already own. (I knew I didn’t bring them from Texas for nothing!) We put in a few drops of food coloring into the vases without brushes or pens, at the last minute so that you can still see the coloring mix into the water.

I ended up with a two-light setup. Even though I checked all the settings between the light meter and my camera and am pretty sure I metered correctly, all my shots were underexposed when I imported them to my computer. Lesson learned: I should have bracketed. Oh well.

Here’s my select image, untouched by Photoshop except to eliminate some spots on the sensor and to sharpen the image overall:

Pretty underexposed, yes? I will definitely be bracketing next time.

For kicks and giggles, I toned my select image and the runner-up to look the way they should have:

The toned select.

The toned select.

The toned runner-up.

The toned runner-up.

(more…)

Read Full Post »

For our second assignment in Advanced Techniques in Photojournalism, we shot portraits of a classmate in the studio. This was my first time configuring lights with a subject in a studio environment, and I must admit that I didn’t really enjoy it.

By no means was that my partner Calin‘s fault. Calin was a great partner — very patient and, even though he’d also never done studio work before, more knowledgeable about how to set up the lights according to the desired light ratio.

But before I delve more into why I didn’t enjoy the studio as much as I’d anticipated, here are the final three selects, of the 103 that I shot over two days.

Calin Ilea playfully swipes his hand across his face to the tune of imaginary music. Ilea, a graduate student from Romania, enjoys playing soccer in his free time. [Friday, Feb. 13]

Calin Ilea playfully swipes his hand across his face to the tune of imaginary music. Ilea, a graduate student from Romania, enjoys playing soccer in his free time. Friday, Feb. 13.

Ilea also enjoys the combination of pickles and mayonnaise, at least according to his friend and TA Catalin Abagiu. [Friday, Feb. 13]

Ilea also enjoys the combination of pickles and mayonnaise, at least according to his friend and TA Catalin Abagiu. Friday, Feb. 13.

Ilea sprawls out on the floor after nearly five hours in the studio on the second day of shooting. Ilea had already had a rough day before starting work in the studio at 9 p.m. [Tuesday, Feb. 17 -- but, technically, Wednesday, Feb. 18]]

Ilea sprawls out on the floor after nearly five hours in the studio on the second day of shooting. Ilea had already had a rough day before starting work in the studio at 9 p.m. Tuesday, Feb. 17 -- but, technically, Wednesday, Feb. 18.

(more…)

Read Full Post »

Late last week, I had two rolls of film developed. One was a roll of Fuji 400 that I’d taken over winter break. The other was a roll of Fuji Superia 200 that Jeff and I shot last weekend when we went on a 10-mile walk with Esten on the MKT trail (beginning at Flat Branch Park). Now that the rolls are finally developed, scanned and edited, I am proud to present the following to the world.

[Note: All photos were shot on my OM-1. It’s old.]

  • This photo was shot out of a moving car on I-40 at the beginning of winter break. In all technical respects, this photo is horrible and disgusting. It’s out of focus, terribly grainy and overall blech-y. But I still love it. All the bad technical aspects kind of add up to make it almost dreamlike. [Fuji 400, 35mm]

  • The interior of one of the Anheuser-Busch brewing facilities. This and the stablehouse were the most architecturally fascinating in the general complex. [Fuji 400, 35mm]

  • Chelsea’s little sister Abbi, in their living room and ready for the family portrait. This negative is horribly scratchy and the exposure is grainy as all out, but somehow I still like this shot. [Fuji 400, 50mm]

  • This is at the beginning of our 10-mile walk last weekend. Here I am, with ridiculous sunglasses on my face and a ridiculous apple in my mouth and a ridiculous knapsack on my shoulders. [Fuji Superia 200, 35mm, photo by Jeff Lautenberger]

  • Some long stalks of grass in a field we found after going off the MKT trail, via a smaller side trail. The field belongs to the MU Conservation Department, or something like that. [Fuji Superia 200, 135mm]

  • The MKT trail as we began to head back. This was probably somewhere between the 3.75- and 3.5-mile marks. Love the way the sun hits the trees. Love the dynamic range. Love the light at magic hour. [Fuji Superia 200, 35mm]

  • Both Jeff and Esten questioned why I took this photo when I took this photo. I think I liked the way the trail forked off. And the way there was a lone, bare tree in the middle of it all. [Fuji Superia 200, 35mm]

  • Here’s Esten with his Leica. Lucky. [Fuji Superia 200, 135mm]

And that concludes this first official photo blog post. Hopefully this will be a regular thing — that is, shooting photos for fun. Unfortunately, my schedule doesn’t often allow for photo adventures, but this is something I’d like to do at least once a month. We shall see!

Read Full Post »

« Newer Posts