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In capstone, we’re all working on a a group documentary project about Broadway.

That’s Broadway the street, mind you.

I campaigned heavily for Broadway to be our project topic because I think Broadway epitomizes the city of Columbia. It’s got the eclectic/trendy downtown, City Hall, historic residential neighborhoods, student apartments, developing neighborhoods, big commercial strip malls and it’s the oldest street in the city.

My contribution to the project? I’ll be working on the development aspect. Broadway “began” where downtown is now, and ever since, it’s been expanding and developing on its western and eastern ends. So I’ve been exploring those two “ends” of Broadway.

Today, I went to the eastern end — past Hwy 63, where I’ve never been before. I wasn’t sure what to expect, but I was hoping to find a developing neighborhood whose growth has been stunted by the economic crisis and recession. Sure enough, I found that neighborhood.

The sales office at The Vineyards, a partially-developed neighborhood on East Broadway/East Hwy WW.

The speed limit on East Broadway past Hwy 63 is 45; I was going at 35 because I wanted to look around as I was driving. But it’s a two-lane road, and when I saw that the two drivers behind me were getting impatient with me, I threw on my turn signal and drove into a neighborhood. After a quick drive around, I observed that:

  • each lot was fairly large and not every lot had a house built yet,
  • mailboxes were completely identical to each other (much like those in the Village of Cherry Hill), and
  • quite a few houses had signs indicating they were for sale or sold.

I parked at the clubhouse near the neighborhood’s entrance and approached a woman who was walking with her young son. After introducing myself as a photojournalism student looking into development in Columbia, I was pleasantly surprised when the woman — Becky — said she was a builder before the economic crisis hit.

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I have a big, fat radical idea for the MU School of Journalism:

Start early.

Do more journalism.


In other words: Instead of only one or two required semesters for students at any given newsroom  — how about three full years?

Click on the image to view/download the full PDF file.

In light of recent discussions and in anticipation of tomorrow’s forum (flier above), here are the facts, the problems and my totally radical ideas.

The facts

Don’t know how the MU School of Journalism works? Here’s a fast run-down:

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Last night, I cut up some green onions to garnish dinner. I’d never cut green onions before — usually Jeff takes care of it — and my eyes actually were watering a little by the end. (Weak, I know.)

It was during this chopping exercise that I suddenly realized what a pretty gradient green onions have.

Later, we went to Eastside Tavern for karaoke night.

As always, an epic end to the non-proverbial week.

Foul play.

And, I suppose, an epic end to the 30-day challenge.

(Almost) every day for the past 30 days, I’ve posted a new photo. I blogged more food photos than I should have, but other than that, I think I’ve done reasonably well with getting a variety of pictures.

I’ll continue taking photos on a regular basis, but it certainly won’t be an everyday thing. The next time I do a photo-a-day thing, I’ll be in Atlanta and starting my photo internship at The Atlanta Journal-Constitution in the beginning of June, about three weeks after graduation. I’ve never been in Atlanta — or Georgia, for that matter — before.

So that’ll be a fresh start in an unfamiliar environment. The best way to get to know a new place? Get out, explore and make pictures.

I’m excited for that.

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More than two weeks ago, I spent my entire weekend at the Mizzou Aquatics Center, where the fourth annual Missouri Grand Prix was going on for four days.

Eric Shanteau swims the championship heat of the 200-meter individual medley finals on the second day of the fourth annual Missouri Grand Prix.

I was there to help the assigned Columbia Missourian photographers — most of whom had never before shot swimming, which I think is one of the more technical, difficult sports to photograph — and edit and submit their photos to the newsroom. But I also had plenty of time to make pictures, so I made full use of this opportunity.

Unfortunately, my portable hard drive crashed just 10 minutes after I’d submitted the photographer’s photos in my last editing shift on Feb. 14. This meant I lost all these photos, and more — until I sent the drive to the data recovery company. Hence, the delay in posting these Grand Prix photos.

View from the diving tower.

Of course, there were many other photographers there, so trying to find angles and content that nobody else was getting was practically impossible. But it was a good challenge, and considering this was my first time at a big swim meet, I’m pleased with how my photos turned out.

This year was also the first year — in my memory — that Michael Phelps, Katie Hoff and a few other big names were not in competition. Due to the snowstorms that were pummeling the east coast at the time, the North Baltimore Aquatic Club swimmers scheduled to compete (including Phelps and Hoff) were unable to attend. Almost every other photographer I know was disappointed about this, but I frankly didn’t mind. I even tweeted, “Oh boo hoo, no Michael Phelps at the MO Grand Prix. There will still be incredible swimmers in the pool too, you know.”

So I, for one, enjoyed not having to stress about getting Michael Phelps photos. And I had fun. Enjoy some photos:

Missouri swimmer Jowan Qupty prepares to compete in the second heat of the 200-meter breakstroke finals.

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MANHATTAN, Kan. — I’m in the Bramlage Coliseum media room after the Missouri Tigers lost 63-53 to the Kansas State Wildcats.

Kansas State senior forward Luis Colon shoots against Missouri sophomore center Steve Moore during the first half at Kansas State on Saturday, Feb. 27, 2010.

Two points of interest. The first: It’s unusual for a Columbia Missourian photo editor to cover a basketball game, but none of the staff photographers could or would volunteer to travel with the writers to Manhattan.

The second: I shouldn’t have worn a purple top for a game at/against Kansas State.

During the final 30 seconds of the game — which lasted about five minutes of real time — I was bored at my place at the endline. One of my camera batteries had died, so I was switching between lenses on the other camera, and I was pretty dissatisfied with my situation in general.

So I went into the stands, where I saw a young boy whose emotions were very much invested in the game: He was crying, shouting and, at some points, turning away from the court as if he didn’t want to watch the Tigers lose. I started making some pictures.

Ten-year-old Jack Kropf of St. Joseph, Mo., watches the Tigers lose to the Wildcats during the last 30 seconds of play at Kansas State.

Then I heard, nearby, voices shouting: “She’s taking pictures of their son, and they don’t want her to!”

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This evening, a few hundred bicyclists, unicyclists, hipsters, musicians and more marched through downtown Columbia to kick off the seventh annual True/False Film Fest.

It was the March March parade.

March March participants and onlookers gather in front of the parade's destination, the Missouri Theatre on Ninth Street.

Erin and I were editing at The Columbia Missourian when we decided to take a break and make some pictures of the parade. Accompanied by David and every other photographer in town, we went downtown and, I’m confident, had a great, fun time.

David (left) looks a little too happy to see a Teletubby at the corner of Locust and Ninth Streets.

For those of you who may not know, True/False is a three-day documentary film festival that showcases dozens of pieces and that has steadily developed a reputation as a solid film event. The festival attracts visitors from all over the nation and the world, and it tends to bring out even the more reclusive residents of Columbia.

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One of the projects in David’s capstone class is the one-day/five-points-of-view story. This is a picture story that must be told in five pictures and that happened over a relatively short period of time (no more than a few days).

As you might have gathered from my blog, I chose to do a light exploration of backyard chickens in Columbia as a result of the recently-passed “chicken ordinance.” But now I’ll let the photos — and their captions — tell the story.

The chickens have escaped from their greenhouse home on St. Joseph Road, and it's up to Adam Saunders to chase them back inside. Saunders and other members of the non-profit Columbia Center for Urban Agriculture own six hens, which is the maximum number allowed by a Columbia city ordinance that permits urban residents to keep chickens in their backyard.

Five of CCUA's six hens stare each other down inside the greenhouse on Feb. 17. CCUA owns three Rhode Island Reds, one Buff Orpington, one Australorp-Rhode Island Red mix and one Dominic. Roosters are not allowed under the city ordinance, largely because of their crowing.

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Today, I have been sick and went to only one class. I’ve spent the rest of the day sleeping, consuming the healthiest foods I have in my meager pantry and watching the Olympics.

That is why I have no photo for today.

Yesterday, I had classes, work and a group project nearly back-to-back-to-back.

But when I left work at 5:45 p.m., I saw something unexpected: Daylight.

I don't remember the last time I saw natural light while walking home from work.

Then the group project. For our photo-editing class, Laura, Jessica and I were to edit a short video using raw clips provided by the Columbia Missourian director of photography.

It was… an interesting exercise.

The best part is, this was near the beginning of our working together on the group project.

Fortunately, we know Final Cut reasonably well and completed work more quickly than we'd anticipated.

Anyway. It’s been a long 48 hours, and I’m not quite feeling better yet.

But I have good news: the data recovery company was able to recover all but about 1 percent of my data, and I’ll have everything back by Friday!

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This afternoon, I returned to the Columbia Center for Urban Agriculture‘s office/house to make more pictures for my one-day/five-points-of-view story.

Adam talks about how CCUA is keeping its six hens in a greenhouse until the weather is warmer and the coop is built.

Another photographer was taking photos of the hens inside the greenhouse while everyone was out in back to look at CCUA’s chicken tractor. The photographer must have left, because a few minutes later, someone said, “Hey — are the chickens supposed to be outside?”

The chickens were on the run!

And they almost made it to the road.

Adam herds the chickens away from the road and back toward the greenhouse.

So why did the chickens (almost) cross the road? — Because they were tired of being cooped up!

Ha. Ha. Ha?

I’m really loving how I can milk all these old chicken jokes and references. And I think I’m good for my one-day/five-points-of-view story for capstone… I think.

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It has been a long week.

That's 10:15ish p.m., mind you.

I spent my entire last weekend photo-editing for The Columbia Missourian — Friday night, all day Saturday and then Sunday morning at the rec center for the Missouri Grand Prix, and then Sunday afternoon and night in the newsroom for a regular shift.

Then there was my regular shift on Tuesday afternoon. Which lasted until almost midnight.

And now there’s today, which has turned into late tonight.

All told, it’s about 47 hours of photo-editing, from last Friday afternoon through this Friday night.

That’s a lot.

But now it’s time to go home, drink a Woodchuck and veg in front of the Olympic ice-dancing reruns.

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This is where I work:

David and I serve our fellow photojournalism students by manning the department’s equipment locker, which houses more than $100,000 worth of photo, video and audio equipment (much of it is donated). It’s fun to help other students get acquainted with and appreciate quality gear, and it’s just as fun to tease those who are already gearheads when they come with a shopping list of exactly what they need to work on a project for a few days.

It’s also a bit stressful at times. Especially Mondays. This semester, I’m the only one working on Mondays, which means I get to check in and reshelf all the gear that was checked out over the weekends.

Today — as you can see by the photo — it got a bit out of hand. Students kept coming around to check in more gear or make reservations, so I didn’t get a chance to remove and charge batteries, detach lenses from cameras, replace back lens caps and camera body caps, or anything… until thirty minutes remained in my shift.

The contents within my photo for today represents probably half of the photo inventory and a third of the entire locker’s invenory.

It is a good job.

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I’m spending this weekend at the Student Recreation Complex, where swimmers have gathered to compete in the fourth annual Missouri Grand Prix.

The Columbia Missourian photographers are photographing. I’m there to edit — but between card dumps and transmissions to the photo desk, I have the opportunity to roam and make pictures, too.

So that’s what I did tonight.

I’ve shot dual-team meets at the rec center before, but never a full-blown, multi-day tournament whose roster includes Olympic swimmers. Tonight, I fiddled around a bit and tried not to resort to just the “one swimmer per frame” kind of shooting. Tomorrow and Sunday morning, because I know what to expect and where I can go, I’ll do better with this.

That’s right. I volunteered to live-edit during almost my entire weekend. But I made a point not to volunteer for the Sunday evening shift — because I’m sure as hell not missing the pairs short program for the Winter Olympics.

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Patrick T. Fallon has way too much time on his hands.

Patrick, a junior photojournalism student here at MU, is known by all and beloved by many. It’s prudent, accurate and inoffensive to say simply that he is a character.

Patrick (center, in Mizzou sweatshirt) shares his newest Facebook album with MU photojournalism chair David Rees (center right, with glasses). From left to right, fellow photo-j students Grant, Sam, Nick and Jeff gather around. I shot this photo with a D700 and a 14-24/2.8, which explains the distortion.

Patrick’s latest Facebook album consists of diptychs of two Joels: Joel Kowsky and Joel Hawksley.

Joel Kowsky is a fellow photojournalism senior at MU. He photographs for the university’s athletic department and is generally a gearhead.

Joel Hawksley is a photojournalism sophomore at Ohio. He photographs for the university’s athletic department and seems to be a gearhead.

I’m not sure what Patrick was thinking, but he went through photos of the two Joels on Facebook and found seven uncannily similar photos of the two, who, it’s safe to assume, have never met.

Here’s an example of one of Patrick’s diptychs:

Click the image above for more diptychs of Joel and Joel.

Patrick shared with me the public link to the Facebook album where you can view more eery diptychs of these two photographers doing very photographer-y things (like taking photos of themselves in mirrors). You can view this album either by clicking on the image above or here.

My photo for today in the 30-day challenge is the first photo, which shows Patrick showing the album to photojournalism chair David Rees. I daresay David enjoyed Patrick’s efforts, as has hopefully everyone else who knows either Joel.

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I’m furious.

Today in Picture Story class, we watched a video chronicling photographer Jim Brandenburg’s self-challenge to take one photograph a day for 90 days in his extensive backyard near Ely, Minn. He undertook this project in 1994 — an age predating digital technology and 16GB memory cards, but photographers of his pedigree were unfazed by shooting thousands of frames per day while on assignment. I encourage you to check out the gallery. Each photo is technically and aesthetically wonderful, and the visual variety is stunning.

I’m not sure exactly what prompted him, but David suddenly proposed a challenge: Each of us should post a new photo to our blogs every day for 30 days. We accepted this challenge.

That’s not why I’m furious.

I’m furious because I have to read this book:

"Money-Driven Medicine" by Maggie Mahar

I’m in my final undergraduate semester, and only now am I taking my first-ever political science course. The class is Public Policy, and for our first paper, we are to read this entire book and write a book review.

That’s not (exactly) why I’m furious.

I’m furious because I’m learning, in detail, about the failures of the American health care system according to one author-journalist.

I’m furious because I procrastinated in starting this book, which has prevented me from going out and making pictures and blogging a real photo for my first entry in this 30-day series.

I’m furious because, although I’m far more interested in being a photographer than in being a student, my academics and work schedule this semester are severely limiting the time and opportunities I could have to pursue better photography.

My weekly schedule, not including my occasional photo-editing shifts on Fridays, Saturdays, and/or Sundays. The purple are classes; the green are worktime or photo-editing duties.

I’m excited about this 30-day challenge. I want to incorporate a theme or motif — and soon, so I can pursue that for the remainder of the challenge. I just hope I can find enough time to make good pictures to blog every day.

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I’m mad as hell, and I’m not going to take it anymore.

I’m tired of seeing student photographers/journalists getting ripped off and taken advantage of.

I’m tired of knowing that companies — big and small — and individual clients think they can offer us little to no pay or, even better, “exposure” and a credit line in exchange for our hard work.

I’m tired of seeing fellow (photo)journalists willingly give up their work for little to no pay and/or not realize they should charge for their work.

I attribute my fury to two incidents/events in the past week: First, a large company’s trying to take advantage of another photographer and me, and second, a Twitter debate over content farms.

How a big-time company tried to rip me off

Almost two years ago, Esten, some other friends and I hopped in a car and drove 1200 miles roundtrip to Mangum, Okla., for the Mangum Rattlesnake Derby. For three days in this annual event, rattlesnake hunters comb through the nearby hills in search of rattlesnakes, which are brought back to town and butchered. We were there purely for the novelty of it all — and to photograph it, of course.

About a week ago, a representative with a very well-known travel guidebook company sent me the following message via Flickr Mail:

Hi Chris,

We produce and distribute one of the Web’s most popular travel guide products and have selected the Mangum Rattlesnake Derby to be included in the guide.

We are in the process of enhancing our listing with photos and would like to request an image from you (http://www.flickr.com/photos/chris_dunn/2458007330/) that can be used alongside the description of the event.

The image will appear alongside our editorial review of the Mangum Rattlesnake Derby and will go live on http://www.whatsonwhen.com, http://www.frommers.com and selected partner sites, reaching around 5 million unique users a month and generating 30 million page views.
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It’s the end of football season.

Missouri sophomore quarterback Blaine Gabbert and the Missouri players walk off the field after losing the Texas Bowl game.

Which means, on New Year’s Eve, I shot my last college football game.

Carrying two backpacks (one covered by the pink jacket), a camera messenger bag and a 400mm lens on a monopod, on the way to the media entrance at Reliant Stadium. Blame the wind for the bad hair. Photo by Jeff.

Okay — more accurately, the Texas Bowl game was the last college football game I’ll ever have shot as an undergraduate photojournalism student. And boy, was it a tough one.

I’d like to think that I’ve improved with every football game I’ve shot this season. I started out a little rough with the Illinois game, which I chalk up to my previously not having ever used Nikon equipment and shooting with a D3, a D2H and a 500/4 lens. Photographing the Nebraska game turned out a lot better, despite the personal misery associated with the inclement weather conditions. And I felt really on top of things when I shot Missouri’s unexpected victory at Kansas State and happened to be in exactly the right places to capture most of Missouri’s touchdowns.

But boy, did the Navy throw Missouri — and me — a curveball with the Texas Bowl game.

Marching Mizzou bandmembers Elysia Gooding and Alyssa Cowman perform as members of the Naval Academy band pass by and shout their cheer before the game outside the Reliant Stadium in Houston.

Going into the game, I had a few thoughts that shook me up a bit:

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Being on winter break, I’ve had more time to patrol the Twittersphere than I do during the academic year. In the past day or so, I’ve noticed more tweets about unpaid internships and the dis/advantages thereof.

Earlier, @greglinch tweeted a link to a Christian Science Monitor opinion piece asking, “What if interns went on strike?” The author argues that hard-working interns are often not guaranteed or even tempted with employment with a company, despite their value in the workplace:

Interns are valuable. And as part of the workforce, they are expected to do many of the same tasks that professionals do (along with the menial jobs that no one cares to do).
Many people have, at some point in their lives, worked without pay. Some start businesses, others devote time to charities or nonprofits, and still more apprentice in lucrative mechanical fields. I am all for entrepreneurs, mechanics, and bleeding hearts.
However, conceiving of the unpaid internship as a means to secure paying jobs is as archaic as the corporate ladder model of employment itself. We no longer live in a society where hard work at one company ensures that we will someday reach the zenith of the American dream.

Greg also tweeted a link to a blog post with an internship opportunity offer from famed war photojournalist James Nachtwey‘s studio. Like so many other journalism internships out there, Nachtwey’s offer is unpaid. Unlike so many other journalism internships out there, Nachtwey is ultra-specific about what entry skills he wants his eventual intern to have. These include proficiency with particular scanning equipment and certain Photoshop tasks.

There’s absolutely nothing wrong with setting a high standard for an incoming intern — but for those kinds of higher-end technical skills and know-how? For no pay? For at least three days a week for three months? In New York City?

Nachtwey is out of his mind.

But let’s back up and examine the general idea of unpaid internships altogether.

Many larger workplaces — such as big-name newspapers/magazines, law firms and more — don’t pay their interns for a variety of reasons. In many (or, I hope, in most) cases, these workplaces simply don’t have the budget for paid internships but still want to extend an offer so young people interested in that industry can still get good experience. In other cases, some workplaces justify not paying their interns by asserting that the internship experience is so valuable that the experience itself is payment.

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It’s finals week at many universities and colleges, including Missouri. Because I’m not entirely engrossed in scouring the on-line Oxford English Dictionary for my History of the English Language take-home exam, I’ve taken inspiration from an old 10,000 Words post and am instead announcing my journalism-minded goals and plans for this winter break.

(For those of you not familiar with the 10,000 Words blog — it’s a great resource for journalists/journalism students where blogger Mark S. Luckie provides tutorials, pontificates on relevant issues/questions in the industry and frequently refers to other examples of good journalism and/or branding.)

Without further ado, here’s what this journalism senior is doing over winter break:

  1. Revamping my Web site, especially the setup and some CSS. I’ll be changing some things around in my photo portfolio section and adding my written reporting clips. And nope, I’m not going to link to it now — once it’s more complete, I’ll post the URL and invite everyone and anyone to provide any feedback/criticism/praise.
  2. Going through the last two months’ photos. Thanks to projects, I haven’t had time to go over my recent Missourian assignments or my just-for-fun photos (Texas Renaissance Festival?). But starting next week, I’ll have time to do that, as well as post them for you to see here.
  3. Continuing/finishing posting New York City summer photos. Okay, so these photos are about four and a half months old now, but I’m still proud of and excited about them. So you can expect to see those soon, too.
  4. Tweaking my photo final projects. For one photo class, I produced an audio slideshow about on-site beer brewing at the Texas Renaissance Festival. For another photo class, I created a two-story package about what happens on a dairy farm after the farmer is killed by lightning. Both these projects are complete and on-line, as of yesterday, but I’m going to clean them up a little more before linking them to my Web site and sharing them with the general public.
  5. Covering the Texas Bowl game for The Missourian. As far as I know, Ivy and I are the only Missourian photo people credentialed to go — and she’s the designated editor, which means she’ll be in the photo workroom for most of the game. Which means I’m the only actual Missourian photographer for the game. Which is a lot of pressure. But hell if I’m not excited.
  6. Start reading The Atlanta Journal-Constitution regularly. If I’m going to be there this summer, I’d best get started on learning about the city and the paper.

Time for me to hit up the Oxford English Dictionary now. But — got any more suggestions for my winter break? I’d love to hear what you think!

(Of course I’ll also be sleeping and eating far more than is healthy for me, but that was already a given.)

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Today, I accepted a summer photo internship at the Atlanta Journal-Constitution.

And got credentialed to photograph the Texas Bowl on Dec. 31 in Houston.

Today is a good day.

In other news, I’ve been working on various projects for the past few weeks. These include:

  • my final project for Staff Photo (about a brewery at the Texas Renaissance Festival),
  • my final project for Electronic Photojournalism (about a dairy farm) and
  • my portfolio Web site.

These projects are the main reason why I haven’t had much time to continue posting New York City photos and other photography expeditions I’ve recently had. Rest assured, these blog entries will come soon. I’m hoping to unveil my portfolio Web site and share my final projects in the middle of next week, and to pick up the NYC and other photos during winter break.

But in the meantime, I’m thrilled to spend the summer in Atlanta and honored to receive the internship offer. I really can’t wait to work in a larger newsroom and be in a new city. And I’m pumped to photograph the bowl game — I’ve come a long way in my football photography this semester, and I’m excited for the opportunity to cover a big game.

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Introduction

As perhaps thousands of people now know, my conflict (for lack of a better word) with the Boone County Courthouse didn’t end a month ago.

If anything, these people know that:

  • the judge rejected my written apology and offered a second opportunity to send another apology,
  • I declined that second opportunity and did not send another apology; and
  • the judge declared a 30-day ban for me to enter the Boone County Courthouse effective Dec. 15 unless I filed a request for a hearing.

What the vast majority of those people do not know is this: I never declined that second opportunity. Additionally, the 30-day ban has — as of yesterday around 10:45 a.m. — been lifted.

In this entry, I will attempt the following:

  • explain how it was that I’d never declined that second opportunity,
  • divulge all relevant details, including associated court documents and e-mails,
  • discuss the importance of reporters’ getting ALL sides of a story and
  • express my gratitude to the many who helped me and supported me through this tough time.

This account will be told chronologically. As was the case with my first account pertaining to this incident, it will be long. But so many people have read my account about how I made my mistake and tried to atone for it, and I can only hope that at least half that many will read this follow-up.

How it happened

As was published first in a Columbia Daily Tribune article and then picked up by the Associated Press, I received a statement from the court on Friday, Nov. 20. This statement came almost a full month after the Missourian director of photography, the photo editor who edited with me on that assignment and I sent letters of apology to the judge.

Click on the image to view/download the full-resolution PDF file.

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