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Archive for the ‘Photojournalism’ Category

I forgot to mention this earlier… but I’m done.

Medal in my mouth.

I may not have walked alongside my fellow seniors in the Missouri School of Journalism commencement ceremony and received my fake diploma (the real one gets mailed out in mid-summer), but I’m done.

I did walk in the honors convocation on Saturday morning, since that still allowed me enough time to drive to Florida and arrive at Poynter on time. Yes, that’s right — honors convocation. Somehow, I graduated cum laude even though I was kicked out of the journalism school two and a half years ago for having an unsatisfactory GPA.

I’m not sure how that happened. The “cum laude” thing, not the “unsatisfactory GPA” thing. But it appears to be legit, and now I have a medal to show for it. I just don’t have a fake diploma and a lot of photos of my fellow seniors and me mugging for the camera with our tassels hanging from the left side of our graduation caps.

But — I’m done.

That is, I’m done with college.

I’m not done learning.

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I’m pleased to present my final capstone project — my last project as an undergraduate here at the University of Missouri.

In the House of Representatives press gallery.

You can view my video/photo project in one of two places:

My website

or

My Vimeo page

What exactly is this project, anyway?

As I’ve hinted previously in this blog, the scene is the Missouri state capitol building, and the characters are various statehouse newspaper reporters. As for the story — well, let’s just say that as the economy takes its toll and the journalism industry continues to shrink, state capitol bureaus are suffering.

Last spring, The American Journalism Review published a survey whose results showed a more than 30 percent decrease in the number of newspaper reporters covering state capitols full-time over a period of six years. This survey was released while I myself was reporting in Jefferson City, the capital city of Missouri, so it seized my attention and I kept reading similar reports (such as this March 2009 article in The New Republic). A month ago, as I was searching for a story idea for my capstone project, I remembered the survey and reports — and contacted a few reporters and asked if I could follow and interview them.

I’d like to thank Chad Livengood of The Springfield News-Leader, Virginia Young and Tony Messenger of The St. Louis Post-Dispatch, Jason Noble of The Kansas City Star and Phill Brooks of Missouri Digital News for their immense help with this project.

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Scene:

The Missouri State Capitol building in Jefferson City.

Here’s a (kinda) sneak peek at my final capstone project. It’s my last undertaking in the Missouri School of Journalism since, in exactly one week,  I’ll be graduating and hightailing it to the Poynter Institute as one of its 2010 College Fellows. So — what exactly am I doing for my project?

Well… I won’t disclose everything right now. But here’s the cast of characters.

Chad Livengood, a Springfield News-Leader reporter who is currently reporting on his third legislative session in Jefferson City.

Virginia Young, who directs the Jefferson City bureau for the St. Louis Post-Dispatch and who's been reporting there for 20ish years.

Phill Brooks, director of Missouri Digital News...

(more…)

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Check out this photo of a Rock Bridge High School wrestler I took last semester:

Rock Bridge High School junior Josh Gaskins weight-trains before starting wrestling practice on Monday, Dec. 7 at Rock Bridge. Gaskins, who weighs 152 pounds, wants to be at 148 pounds by the end of the season.

Now, check this out:

This kind of banding and displacement within the photo freaked me out earlier tonight, when I was going through old photos. I didn’t know what happened to the file, and i t wasn’t just this photo shoot, either.

It happened with an informal photo shoot with Chelsea…

…as well as quite a few photos from an assignment about rural-area doctors… (more…)

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I’m pleased to launch my Web site website: christhedunn.com.

Click on the image to access my website!

It’s a pretty simple website, but I’ll continue developing it. It features my portfolios as both a visual journalist (with still photos and multimedia) and a reporter, and design-wise, I matched the CSS and styles to this blog and my Twitter page.

I welcome feedback, and please do let me know if you encounter any broken links or other glitches! Thanks!

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My entire capstone class is finishing the group documentary project on Broadway.

Each of us has worked on an aspect of or place on Broadway — a street that is one of the oldest, if not the oldest, in Columbia and which represents so much diversity within the city. My part of the project? I’ve been working on development — specifically, a neighborhood on East Broadway/WW.

One thing that threw a curveball at quite a few of us in the project? A freak snowfall last weekend.

March 20, through the back patio door of the model home.

On Monday, the snow was melting — because it’d gone from 31 degrees to 65.

March 23.

Gotta love that midwestern weather.

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These are the shoes I wear most often:

In February.

They’re comfortable and light, and they’re usually what I wear when I do photojournalism.

XV: March 19.

On XV (March 19), I wandered around a developing neighborhood, which I’m covering for a capstone project. I’ll blog more about that project later, but that day took me about a quarter-mile out of the neighborhood, to make pictures of its proximity to East Broadway/WW.

Then a freak snowfall and some rain hit Columbia… but I still had to make some pictures.

XIX: March 25.

And when I went out yesterday (XIX), I got stuck in the mud.

And had to jump out of my shoes.

And then had to gingerly jump back into the mud to retrieve my shoes.

I spent the next few hours walking around in just my stocking feet — in a real estate office, in my car, on campus — because my shoes were so muddy and would have trucked still-wet clumps of dirt all over the place.

The thing is, these are my most waterproof shoes. Which means, I should really invest in some good photojournalism-y shoes. Soon.

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By now, practically every photographer and visual artist has surely heard of one of the features that will arrive in Adobe Creative Suite 5‘s Photoshop upgrade: content-aware fill.

If you haven’t heard of this feature, all you need to do is watch the below video. And make sure you watch it through to the end.

I don’t think anyone can deny that this fill feature is an amazing achievement in technology and software. To eliminate whole trees and roads, and to fill in blue skies, rugged desert landscape, cloudy skies and anything else — with just a few clicks — well, that’s just amazing.

It’s also incredibly dangerous. I don’t think anyone with at least a basic understanding of photo/visual journalism ethics can deny that this fill feature allows for substantial manipulation and, if used, provides a very steep “slippery slope” toward letting nothing prevent one from publishing the “perfect” photo.

This afternoon, August and I briefly discussed the temptations and dangers imposed by the feature. The following is the end of our conversation:

  • Me: This means the death of photojournalism.
  • August: No, it just means the death of people’s trust in our photos.
  • Me: Exactly — this means the death of photojournalism.
  • August: Yeah… you’re right.

In short? If it works as effectively and efficiently as advertised, the content-aware fill feature is a godsend for portrait and commercial photographers. But I certainly hope that no photo/visual journalist considers using this tool.

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If you know me, you know I love puppies, small children and anything cute.

But especially the puppies, dammit.

Two Scottish terriers.

So when I heard that the Columbia Missouri Kennel Club Dog Show was this weekend at the Boone County Fairgrounds, of course I had to go.

When Jeff and I arrived yesterday on the second and last day of the show, the first thing I noticed was the smell. Then I saw that there were dogs everywhere (of course), and that just made everything so much better.

Dog handler Sarah Riedel with Jetta the standard poodle during the Best in Show round. Jetta won Best in Show.

I just had a blast with making pictures. This was my first time at a dog show, so I was a little overwhelmed by all the breeds at first. But everything started falling into place, especially once I learned about how the different categories (sporting, toy, etc.) worked.

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In capstone, we’re all working on a a group documentary project about Broadway.

That’s Broadway the street, mind you.

I campaigned heavily for Broadway to be our project topic because I think Broadway epitomizes the city of Columbia. It’s got the eclectic/trendy downtown, City Hall, historic residential neighborhoods, student apartments, developing neighborhoods, big commercial strip malls and it’s the oldest street in the city.

My contribution to the project? I’ll be working on the development aspect. Broadway “began” where downtown is now, and ever since, it’s been expanding and developing on its western and eastern ends. So I’ve been exploring those two “ends” of Broadway.

Today, I went to the eastern end — past Hwy 63, where I’ve never been before. I wasn’t sure what to expect, but I was hoping to find a developing neighborhood whose growth has been stunted by the economic crisis and recession. Sure enough, I found that neighborhood.

The sales office at The Vineyards, a partially-developed neighborhood on East Broadway/East Hwy WW.

The speed limit on East Broadway past Hwy 63 is 45; I was going at 35 because I wanted to look around as I was driving. But it’s a two-lane road, and when I saw that the two drivers behind me were getting impatient with me, I threw on my turn signal and drove into a neighborhood. After a quick drive around, I observed that:

  • each lot was fairly large and not every lot had a house built yet,
  • mailboxes were completely identical to each other (much like those in the Village of Cherry Hill), and
  • quite a few houses had signs indicating they were for sale or sold.

I parked at the clubhouse near the neighborhood’s entrance and approached a woman who was walking with her young son. After introducing myself as a photojournalism student looking into development in Columbia, I was pleasantly surprised when the woman — Becky — said she was a builder before the economic crisis hit.

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I have a big, fat radical idea for the MU School of Journalism:

Start early.

Do more journalism.


In other words: Instead of only one or two required semesters for students at any given newsroom  — how about three full years?

Click on the image to view/download the full PDF file.

In light of recent discussions and in anticipation of tomorrow’s forum (flier above), here are the facts, the problems and my totally radical ideas.

The facts

Don’t know how the MU School of Journalism works? Here’s a fast run-down:

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Last night, I cut up some green onions to garnish dinner. I’d never cut green onions before — usually Jeff takes care of it — and my eyes actually were watering a little by the end. (Weak, I know.)

It was during this chopping exercise that I suddenly realized what a pretty gradient green onions have.

Later, we went to Eastside Tavern for karaoke night.

As always, an epic end to the non-proverbial week.

Foul play.

And, I suppose, an epic end to the 30-day challenge.

(Almost) every day for the past 30 days, I’ve posted a new photo. I blogged more food photos than I should have, but other than that, I think I’ve done reasonably well with getting a variety of pictures.

I’ll continue taking photos on a regular basis, but it certainly won’t be an everyday thing. The next time I do a photo-a-day thing, I’ll be in Atlanta and starting my photo internship at The Atlanta Journal-Constitution in the beginning of June, about three weeks after graduation. I’ve never been in Atlanta — or Georgia, for that matter — before.

So that’ll be a fresh start in an unfamiliar environment. The best way to get to know a new place? Get out, explore and make pictures.

I’m excited for that.

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More than two weeks ago, I spent my entire weekend at the Mizzou Aquatics Center, where the fourth annual Missouri Grand Prix was going on for four days.

Eric Shanteau swims the championship heat of the 200-meter individual medley finals on the second day of the fourth annual Missouri Grand Prix.

I was there to help the assigned Columbia Missourian photographers — most of whom had never before shot swimming, which I think is one of the more technical, difficult sports to photograph — and edit and submit their photos to the newsroom. But I also had plenty of time to make pictures, so I made full use of this opportunity.

Unfortunately, my portable hard drive crashed just 10 minutes after I’d submitted the photographer’s photos in my last editing shift on Feb. 14. This meant I lost all these photos, and more — until I sent the drive to the data recovery company. Hence, the delay in posting these Grand Prix photos.

View from the diving tower.

Of course, there were many other photographers there, so trying to find angles and content that nobody else was getting was practically impossible. But it was a good challenge, and considering this was my first time at a big swim meet, I’m pleased with how my photos turned out.

This year was also the first year — in my memory — that Michael Phelps, Katie Hoff and a few other big names were not in competition. Due to the snowstorms that were pummeling the east coast at the time, the North Baltimore Aquatic Club swimmers scheduled to compete (including Phelps and Hoff) were unable to attend. Almost every other photographer I know was disappointed about this, but I frankly didn’t mind. I even tweeted, “Oh boo hoo, no Michael Phelps at the MO Grand Prix. There will still be incredible swimmers in the pool too, you know.”

So I, for one, enjoyed not having to stress about getting Michael Phelps photos. And I had fun. Enjoy some photos:

Missouri swimmer Jowan Qupty prepares to compete in the second heat of the 200-meter breakstroke finals.

(more…)

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MANHATTAN, Kan. — I’m in the Bramlage Coliseum media room after the Missouri Tigers lost 63-53 to the Kansas State Wildcats.

Kansas State senior forward Luis Colon shoots against Missouri sophomore center Steve Moore during the first half at Kansas State on Saturday, Feb. 27, 2010.

Two points of interest. The first: It’s unusual for a Columbia Missourian photo editor to cover a basketball game, but none of the staff photographers could or would volunteer to travel with the writers to Manhattan.

The second: I shouldn’t have worn a purple top for a game at/against Kansas State.

During the final 30 seconds of the game — which lasted about five minutes of real time — I was bored at my place at the endline. One of my camera batteries had died, so I was switching between lenses on the other camera, and I was pretty dissatisfied with my situation in general.

So I went into the stands, where I saw a young boy whose emotions were very much invested in the game: He was crying, shouting and, at some points, turning away from the court as if he didn’t want to watch the Tigers lose. I started making some pictures.

Ten-year-old Jack Kropf of St. Joseph, Mo., watches the Tigers lose to the Wildcats during the last 30 seconds of play at Kansas State.

Then I heard, nearby, voices shouting: “She’s taking pictures of their son, and they don’t want her to!”

(more…)

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Yesterday while I was photographing the March March parade, two individuals in the parade stood out to me.

The first was Carolyn, who is a professor-adjunct at the University of Missouri.

I’d spotted her while the marches were still parading (or, while the paraders were still marching?), but found her again after everyone was gathered on Ninth Street.

On Ninth Street between the Missouri Theatre and the Missouri United Methodist Church. Guess which one is Carolyn!

Then she turned in the other direction.

Now guess which one is Carolyn.

And then I approached her and asked if I could take a portrait. She happily agreed.

Carolyn, complete with a 'stache!

I think it’s great that so many people came out with their own costumes and just had a great time marching around downtown Columbia.

I’ll blog about the other individual who caught my attention… later. Today I’m traveling with two Columbia Missourian sports reporters and Jeff to Manhattan, Kan., where the men’s basketball team is playing tonight — so it’ll be a busy day!

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This evening, a few hundred bicyclists, unicyclists, hipsters, musicians and more marched through downtown Columbia to kick off the seventh annual True/False Film Fest.

It was the March March parade.

March March participants and onlookers gather in front of the parade's destination, the Missouri Theatre on Ninth Street.

Erin and I were editing at The Columbia Missourian when we decided to take a break and make some pictures of the parade. Accompanied by David and every other photographer in town, we went downtown and, I’m confident, had a great, fun time.

David (left) looks a little too happy to see a Teletubby at the corner of Locust and Ninth Streets.

For those of you who may not know, True/False is a three-day documentary film festival that showcases dozens of pieces and that has steadily developed a reputation as a solid film event. The festival attracts visitors from all over the nation and the world, and it tends to bring out even the more reclusive residents of Columbia.

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One of the projects in David’s capstone class is the one-day/five-points-of-view story. This is a picture story that must be told in five pictures and that happened over a relatively short period of time (no more than a few days).

As you might have gathered from my blog, I chose to do a light exploration of backyard chickens in Columbia as a result of the recently-passed “chicken ordinance.” But now I’ll let the photos — and their captions — tell the story.

The chickens have escaped from their greenhouse home on St. Joseph Road, and it's up to Adam Saunders to chase them back inside. Saunders and other members of the non-profit Columbia Center for Urban Agriculture own six hens, which is the maximum number allowed by a Columbia city ordinance that permits urban residents to keep chickens in their backyard.

Five of CCUA's six hens stare each other down inside the greenhouse on Feb. 17. CCUA owns three Rhode Island Reds, one Buff Orpington, one Australorp-Rhode Island Red mix and one Dominic. Roosters are not allowed under the city ordinance, largely because of their crowing.

(more…)

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Today, I have been sick and went to only one class. I’ve spent the rest of the day sleeping, consuming the healthiest foods I have in my meager pantry and watching the Olympics.

That is why I have no photo for today.

Yesterday, I had classes, work and a group project nearly back-to-back-to-back.

But when I left work at 5:45 p.m., I saw something unexpected: Daylight.

I don't remember the last time I saw natural light while walking home from work.

Then the group project. For our photo-editing class, Laura, Jessica and I were to edit a short video using raw clips provided by the Columbia Missourian director of photography.

It was… an interesting exercise.

The best part is, this was near the beginning of our working together on the group project.

Fortunately, we know Final Cut reasonably well and completed work more quickly than we'd anticipated.

Anyway. It’s been a long 48 hours, and I’m not quite feeling better yet.

But I have good news: the data recovery company was able to recover all but about 1 percent of my data, and I’ll have everything back by Friday!

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This afternoon, I returned to the Columbia Center for Urban Agriculture‘s office/house to make more pictures for my one-day/five-points-of-view story.

Adam talks about how CCUA is keeping its six hens in a greenhouse until the weather is warmer and the coop is built.

Another photographer was taking photos of the hens inside the greenhouse while everyone was out in back to look at CCUA’s chicken tractor. The photographer must have left, because a few minutes later, someone said, “Hey — are the chickens supposed to be outside?”

The chickens were on the run!

And they almost made it to the road.

Adam herds the chickens away from the road and back toward the greenhouse.

So why did the chickens (almost) cross the road? — Because they were tired of being cooped up!

Ha. Ha. Ha?

I’m really loving how I can milk all these old chicken jokes and references. And I think I’m good for my one-day/five-points-of-view story for capstone… I think.

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It has been a long week.

That's 10:15ish p.m., mind you.

I spent my entire last weekend photo-editing for The Columbia Missourian — Friday night, all day Saturday and then Sunday morning at the rec center for the Missouri Grand Prix, and then Sunday afternoon and night in the newsroom for a regular shift.

Then there was my regular shift on Tuesday afternoon. Which lasted until almost midnight.

And now there’s today, which has turned into late tonight.

All told, it’s about 47 hours of photo-editing, from last Friday afternoon through this Friday night.

That’s a lot.

But now it’s time to go home, drink a Woodchuck and veg in front of the Olympic ice-dancing reruns.

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