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Archive for the ‘Mizzou’ Category

I feel sorry for our neighbors downstairs.

When I arrived back home after work today, I found all the furniture shoved against the walls and Chelsea saying, “Oh, you missed it!”

“I missed what?”

“We were dancing the Thriller!”

Apparently, at 12:30 a.m. UTC/GMT on Oct. 25, there will be “an annual worldwide simultaneous dance of Michael Jackson’s Thriller.” It’s an actual, vaguely organized event called “Thrill the World.”

And my roommates are participating. And apparently have been practicing for much of the afternoon and evening.

After I declined their invitation to join them in their final practice run of the night, I decided to take photos. At the very least, it’d be a good break from editing… more photos… for a presentation tomorrow.

And why is every photo from generally the same angle? Because our living room is small, and they warned me in advance to stand on top of the sofa.

“It’s the only safe area,” Chelsea explained. “That’s why the computer is there.”

And now, back to work. I think it’s gonna be an all-nighter.

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Missouri lost to Nebraska, 27-12.

Where to start?

It was cold, rainy and windy.

Missouri sophomore quarterback Blaine Gabbert runs the ball against Nebraska junior safety Eric Hagg during the first play of the game.

Missouri sophomore quarterback Blaine Gabbert runs the ball against Nebraska junior safety Eric Hagg during the first play of the game.

Tons of sloppy play.

Nebraska freshman running back Rex Burkhead fumbles a punt from Missouri senior punter Jake Harry IV during the second quarter.

Nebraska freshman running back Rex Burkhead fumbles a punt from Missouri senior punter Jake Harry IV during the second quarter.

We lost.

Missouri freshman Morgan Stephens covers her eyes during the last play of the game against Nebraska.

Missouri freshman Morgan Stephens covers her eyes during the last play of the game against Nebraska.

And I shot a lot, learned a lot and tried not to worry a lot.

(more…)

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Kickoff against Nebraska tonight is in five and a half hours. In an hour and a half, I’ll be meeting with other Missourian staffers to shoot the game.

versus

This means that right now, I am stuffing my face.

Last time I shot football, I became physically weak due to hunger during the third quarter, and I’d eaten the food provided to media. Now that Missouri Athletics no longer provides courtesy meals to the media at football games (instead, media can pay $7.50 for a cold-cut sandwich — ick), I’m currently loading up on carbs and proteins.

I’m also covering and taping up every piece of equipment I’m bringing out there. In stark contrast to yesterday’s sunny skies and 60 degrees, today features torrential rain and 50ish degrees. Last night, I went out to buy a rainjacket (something I haven’t had in fours of college, somehow), garbage bags and rubber bands. I’m also wrapping up the cameras in Ziploc bags — a trick that Jason learned from Sports Shooter Academy and taught me.

There are a few other complications that will make shooting this game especially interesting, but nothing changes the fact that I’m going to stick with this and do my best work regardless of what the weather, my body and anything else throws at me.

Two days ago, I tweeted:

5 inches of rain = Thurs forecast. If I survive shooting the Nebraska game, it’ll be a miracle. If I get good shots, the world will explode.

So, here’s to hoping the world will explode — for no reason other than I’ll have shot good photos.

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The past two weeks have been pretty hectic, which is why I haven’t blogged about my Missourian photo shifts and assignments until now.

So here is Week 5, which was Sept. 21-25. Of that week, I worked Tuesday, Thursday, Friday and Saturday — but you’ve already seen Friday and Saturday’s material.

The big theme for the other assignments I completed during Week 5? It’s all about the people.

Wendy Savley, an instructor at the Show-Me Gymnastics gym.

Wendy Savley, an instructor at the Show-Me Gymnastics gym.

On Tuesday, I photographed Wendy Savley at work for VOX’s “On The Job” feature. Savley, who used to be a gymnast, is now an instructor at a local gym, and my assignment was simply to photograph her doing whatever she does at work. So I tried to have fun with it and play with the rear-curtain feature on my strobe, as you can see.

Savley gently reprimands two of her young gymnasts for lying to her about when they could come to practice last week.

Above, you can see another aspect of Savley’s job that I hadn’t considered before. Working with younger children so closely often results in the instructor’s assuming a mentor role.

After I wrapped up at the gym, I met photojournalism student Mallory Benedict for one of the stranger assignments I’ve had to complete.

Mallory Benedict drives to the site of her Aug. 2007 crash. Benedict had been driving home from a friends house at 4 a.m. when she texted the friend for directions out of the neighborhood. While typing her message, Benedict overcorrected her steering three times, which led to her rolling and totaling her car. Although her airbags did not deploy, Benedict, who had worn her seatbelt, was not injured.

Mallory Benedict drives to the site of her Aug. 2007 crash. Benedict had been driving home from a friend's house at 4 a.m. when she texted the friend for directions out of the neighborhood. While typing her message, Benedict overcorrected her steering three times, which led to her rolling and totaling her car. Although her airbags did not deploy, Benedict, who had worn her seatbelt, was not injured.

(more…)

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I really love Roots ‘N Blues ‘N BBQ.

Ben Moore performs as one of the Blind Boys of Alabama at the Peace Park stage on Saturday, Sept. 26, 2009.

Ben Moore performs as one of the Blind Boys of Alabama at the Peace Park stage on Saturday.

Oops. As a journalist who covered the festival wherein music and barbecue took over downtown Columbia for two days, am I allowed to say that?

Oh well. I have loved Roots ‘N Blues since the 2007 festival, which was supposed to be a one-time thing. And then the powers that be decided to give it a second go. And then a third. And who knows if there’ll be a fourth?

If you don’t know what Roots ‘N Blues is — well, it’s a lot of things.

There’s music:

Ana Popovic shreds her guitar as bassist Ronald Zonker plays along at the Peace Park stage during the third annual Roots N Blues N BBQ Festival on Saturday, Sept. 26, 2009. Popovic hails from Yugoslavia and learned to play the guitar at age 15.

Ana Popovic shreds her guitar as bassist Ronald Zonker plays along at the Peace Park stage during the third annual Roots 'N Blues 'N BBQ Festival on Saturday. Popovic hails from Yugoslavia and learned to play the guitar at age 15.

There’s barbecue:

Hole Shot BBQ team member Kevin Henderson arranges smoked pork at his teams station on Sixth Street in preparation for the Roots N Blues N BBQ Festival barbecue judging on Saturday, Sept. 26, 2009. The team, hailing from Wentzville, also prepared ribs and chicken for the barbecue contest.

Hole Shot BBQ team member Kevin Henderson arranges smoked pork at his team's station on Sixth Street in preparation for the Roots 'N Blues 'N BBQ Festival barbecue judging on Saturday. The team, hailing from Wentzville, also prepared ribs and chicken for the barbecue contest.

There’re the fans from all over:

Music reviewer "Beatle Bob" - real name Robert Matonis - dances to Ana Popovics music at the Peace Park stage during the third annual Roots N Blues N BBQ Festival on Saturday, Sept. 26, 2009. Matonis, who is the subject of an upcoming documentary called "Superfan: The Lies, Life and Legend of Beatle Bob," is known as a regular at live music events and for his active dancing to the music.

Music reviewer "Beatle Bob" - real name Robert Matonis - dances to Ana Popovic's music at the Peace Park stage during the third annual Roots 'N Blues 'N BBQ Festival on Saturday. Matonis, who is the subject of an upcoming documentary called "Superfan: The Lies, Life and Legend of Beatle Bob," is known as a regular at live music events and for his active dancing to the music.

There’re the kids:

Four-year-old Reid Boyd of Columbia plays his guitar while listening to James Hand on Saturday, Sept. 26, 2009, at the stage at Seventh and Locust Steets. Boyd, who doesnt know chords yet but can pick out tunes by watching others, is on his third guitar.

Four-year-old Reid Boyd of Columbia plays his guitar while listening to James Hand on Saturday at the stage at Seventh and Locust Steets. Boyd, who doesn't know chords yet but can pick out tunes by watching others, is on his third guitar.

There’re the activities for kids:

Balloon artist Mike Martin and Columbia resident Beverly Bell  help place a balloon hat on 8-year-old Nikki Williams head on Saturday, Sept. 26, 2009, outside of Flat Branch Park during the third annual Roots N Blues N BBQ Festival. Bell said the wait for balloon creations was an hour long.

Balloon artist Mike Martin and Columbia resident Beverly Bell help place a balloon hat on 8-year-old Nikki Williams' head on Saturday outside of Flat Branch Park during the third annual Roots 'N Blues 'N BBQ Festival. Bell said the wait for balloon creations was an hour long.

There’s peace:

Festivalgoers form peace signs with their hands in Peace Park while listening to the Itals performance on Saturday, Sept. 26, 2009. The Itals, a reggae group hailing from Jamaica, asked the crowd, Give us some peace!

Festivalgoers form peace signs with their hands in Peace Park while listening to the Itals' performance on Saturday. The Itals, a reggae group hailing from Jamaica, asked the crowd, "Give us some peace!"

And there’s more music:

Texas country singer James Hand tips his hat at the end of his performance on Saturday, Sept. 26, 2009, at the stage at Seventh and Locust Streets during the third annual Roots N Blues N BBQ Festival. Hand, who has appeared on Nashvilles Grand Ole Opry, also played at the Whole Hog Lounge for the VIP guests.

Texas country singer James Hand tips his hat at the end of his performance on Saturday at the stage at Seventh and Locust Streets during the third annual Roots 'N Blues 'N BBQ Festival. Hand, who has appeared on Nashville's Grand Ole Opry, also played at the Whole Hog Lounge for the VIP guests.

(more…)

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Almost everything I’ve shot for The Missourian in the past two and a half weeks has been sports.

Hickman High School football practice, the day before playing against Wentzville. Junior wide receiver Anthony Oetting, left, dislocated his hip last season but is returning to play for the Kewpies as a starter.

Hickman High School football practice, the day before playing against Wentzville. Junior wide receiver Anthony Oetting, left, dislocated his hip last season but is returning to play for the Kewpies as a starter.

I don’t really mind.

Since I shot the Sept. 5 football game pitting Illinois against MU, I’ve shot a high school soccer game, MU volleyball practice, high school football practice and private gymnastics training. The only non-sports assignments I’ve had are a three-day field reporting trip for agriculture journalism professor Bill Allen’s class (not affiliated with The Missourian) and a fairly odd portrait assignment I completed yesterday.

Hickman High School junior forward Connor Hollrah drives the ball past Jefferson City High School senior midfielder Gavin Juckette on Sept. 8 at the Soccer Park in Jefferson City.

Hickman High School junior forward Connor Hollrah drives the ball past Jefferson City High School senior midfielder Gavin Juckette on Sept. 8 at the Soccer Park in Jefferson City.

It’s as if something or someone told the editors that I want to practice more sports shooting. I’ve had a lot of experience shooting basketball, and I’m pretty comfortable with baseball, gymnastics and swimming. But fall sports — like everything I’ve shot in these few weeks — are not my strength. And that includes not just shooting to get the moment or the game shot but also shooting for features.

MU freshman middle blocker Lindsey Petrick watches for the ball during practice at the Hearnes Center on Sept. 15, the day before the Dig for the Curematch. Petricks grandmother is a breast cancer survivor.

MU freshman middle blocker Lindsey Petrick watches for the ball during practice at the Hearnes Center on Sept. 15, the day before the "Dig for the Cure"match. Petrick's grandmother is a breast cancer survivor.

Anthony Oetting. Again. High school football is so epic, and I mean that seriously.

Anthony Oetting. Again. High school football is so epic, and I mean that seriously.

The big lessons I learned:

  • Shooting soccer with just a 400mm lens is pretty tough. (more…)

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I’ve always been a little critical of my hometown paper.

chron.com

The Houston Chronicle is Texas’ largest daily paper and has bureaus in the state capital of Austin and Washington, D.C. Established in 1901, the Chronicle beat out the other city newspaper — the Houston Post — in 1995 and has since become the Hearst Corporation’s largest daily newspaper. More than 2,000 people work for the Chronicle, including more than 300 reporters, photographers and editors.

The Chronicle is also the only one of the 10 biggest U.S. papers that hasn’t won a Pulitzer.

But I’m not here to blast the Chronicle for its shortcomings. Rather, for part of my Electronic Photojournalism class, I’ve chosen to review the Chronicle’s Web site, chron.com.

Let’s start with the homepage.

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It’s football season.

The Missouri Tigers take the field at the Edward Jones Dome.

For many people, football season means ordering pizza and wings, kicking back with buddies and beers and watching the TV in the living room. For many other people, football season means suiting up in team colors, tailgating in parking lots and screaming alongside thousands of others in the stands.

Six-year-old Liam Hampton of Springfield shouts the M-I-Z cheer during a rally in the alumni association area outside the Edward Jones Dome before the Missouri-Illinois game.

Six-year-old Liam Hampton of Springfield shouts the "M-I-Z" cheer during a rally in the alumni association area outside the Edward Jones Dome before the Missouri-Illinois game.

For Missourian photographers, football season means you’ve got one Missouri home game to shoot for the paper. So you’d better make the most of it. At least, that’s how I see it.

This season, I have two football games lined up for me. The first — yesterday’s Arch Rivalry game against Illinois in St. Louis’ Edward Jones Dome — was a special opportunity that I seized. The second is the Oct. 8 game against Nebraska.

On the sidelines. Photo by Jeff.

Me on the sidelines. Photo by Jeff.

Thing is, I’ll be the first to admit I’m not very good at shooting football.

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90ish days of summer

During coffee with Claire on June 25, Sen. McCaskill first welcomed everyone in the crowded conference room and then opened the floor for a few questions.

A woman named Hope Tinker introduced herself and asked a question.

I think Jeff’s ears must have pricked up, because later he said to me, “I wonder if Mary Beth is here!”

Jeff and Mary Beth Tinker are basically best friends.

Jeff and Mary Beth Tinker, in Sen. McCaskills office. Jeff usually looks this awkward in real life.

Jeff and Mary Beth Tinker, chattin' it up in Sen. McCaskill's office. Jeff usually looks this awkward in real life.

That’s right, the Mary Beth Tinker of Tinker vs. Des Moines Independent Community School District. The Mary Beth Tinker who wore a black armband to school in protest of the Vietnam War, was suspended from school, sued the district in defense of her First Amendment rights and won the case in the U.S. Supreme Court.

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90ish days of summer

On June 25, 2009, Jeff and I had coffee with Claire.

L-R: me, Sen. McCaskill and Jeff. This photo was taken by an official Senate photographer and e-mailed to me from Sen. McCaskills office.

L-R: me, Sen. McCaskill and Jeff. This photo was taken by an official Senate photographer and e-mailed to me from Sen. McCaskill's office. Jeff does not look this awkward in real life... generally.

U.S. Sen. Claire McCaskill, D-Mo., has 9 a.m. coffee with constituents every Thursday while the Senate is in session. Upon learning of this weekly meeting via Twitter and finding out that I would generally have Thursdays off during my internship at washingtonpost.com, I knew that Jeff and I had to visit with Sen. McCaskill at some point.

So we did.

Some slight exaggeration may be involved here, but I partially credit Sen. McCaskill for embroiling me into Missouri politics and, what the heck, political reporting in general.

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Today is Saturday, Aug. 29, which means that tomorrow, my good friend Darren leaves the States to spend the schoolyear in Jordan.

This is Darren. He uses Canon, just like me.

This is Darren. He uses Canon, just like me.

Darren, who is/was a photojournalism student at MU, will be studying Arabic and International Studies in Amman under the Council of International Educational Exchange’s program there. He also spent this past summer in Irbid, the northwest region of Jordan near the West Bank.

Of course, all of us are going to miss Darren a lot — especially since this is our senior year and some/most of us will be graduating in May, a week before he returns from Jordan.

Darren is also my oldest friend at MU.

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Today concludes the first week of my last year in college.

I’m proud to report that I’ve been present and on time for all my classes, completed two photo shifts at The Missourian and begun research on the rural recession project.

Because I don’t have a car (yet), all my assignments have been limited to wherever I can go on foot. I’m used to this — after all, how else did I manage while shooting as many as four assignments a day at The Maneater? Although I didn’t get to shoot the first day of school at various Columbia schools or Sen. Claire McCaskill’s health care town hall meeting in Jefferson City, I think I did all right for my first week on the job.

On my first shift, I ran to the scene of some breaking news. We’d heard something about a fatality over the police scanner, but when the reporter and I arrived, we saw it was a minor accident involving a bicyclist and motorist. The cyclist suffered only scrapes and bruises, which he shrugged off before explaining that he’d been hit by a school bus in the previous year.

That’s right. A school bus.

Call me sick, but I wish I’d been there to see that.

Cyclist Jeff Wainright talks with Columbia emergency responders after colliding with MU student and motorist Dan Marston on Tuesday afternoon in downtown Columbia. Wainright, who rolled over Marstons car hood, suffered only minor scrapes and bruises.

Cyclist Jeff Wainright talks with Columbia emergency responders after colliding with MU student and motorist Dan Marston on Tuesday afternoon in downtown Columbia. Wainright, who rolled over Marston's car hood, suffered only minor scrapes and bruises.

Although the accident was a minor one, it definitely spiced up my first shift as a Missourian photographer. As for the reporter, who was on her second day and second story at the paper, she learned that she had to be ready for anything that could happen on a given day. (Not that she was unprepared, though.)

The biggest lesson I learned? ENTERPRISE.

Due to some communication mishaps, today’s paper didn’t have any A1 visuals lined up. So yesterday when I had a half-hour left in my shift, one of the editors told me to skedaddle and do some enterprising. So I did, even though I knew that walking around and searching for photo material might prove completely unprofitable and would only further inflame the chronic pain in my left foot.

I got lucky with the first enterprise shoot I did. After I left the photo office, I headed downtown even though I knew there was very little if anything planned to be happening at that hour. But as I walked along Locust and crossed Ninth Street, I saw a trio of people carrying oddly-bundled instruments.

I paused. Then I decided to go for it.

“Hey, how are y’all doing?”

After they greeted me in return, I trotted alongside them and asked, “Mind if I follow you a little and take some photos?”

They were the Hooten Hallers, a local blues/country band that I’ve heard before in Speakers Circle. In fact, they had just performed there and were on their way to The Blue Fugue, which is where I followed them.

Hooten Hallers band member Andy Rehm plays a beat to the background music at The Blue Fugue on Thursday as fellow band member John Randall, Rocheport resident Richard Petty and Columbia resident John Thomas listen.

Hooten Hallers band member Andy Rehm plays a beat to the background music at The Blue Fugue on Thursday as fellow band member John Randall, Rocheport resident Richard Petty and Columbia resident John Thomas listen.

After I left the Fugue, I went on-campus to cover the Legion of Black Collegians‘ opening barbecue. As a former Maneater staffer, I’ve photographed many of the major campus organizations, including LBC. That said, I was almost wholly unprepared for the high-energy dance party going on in the main room of the Gaines/Oldham Black Culture Center.

Left to right, freshman Starsha Harris, senior Andrew Kelly, freshman Jacobi Ward and freshman Kielen Wilkins throw out some moves during the Legion of Black Collegians barbecue Thursday evening at the Gaines/Oldham Black Culture Center. The annual barbecue, hosted by MUs black student government, featured food, dance and music.

Left to right, freshman Starsha Harris, senior Andrew Kelly, freshman Jacobi Ward and freshman Kielen Wilkins throw out some moves during the Legion of Black Collegians' barbecue Thursday evening at the Gaines/Oldham Black Culture Center. The annual barbecue, hosted by MU's black student government, featured food, dance and music.

I returned to the photo office after taking a few more shots. I’d worked an hour overtime, was soaked to the skin (there was a gentle but steady rain after I left the Fugue) and felt relieved that my first stab at enterprising while on shift had been decent.

That last photo was today’s key A1 visual.

So yes. Enterprise is important. That’s what I learned this week.

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Classes and my senior year of college don’t begin until tomorrow morning, but I’m excited for this semester nonetheless. Today, I had two meetings that have determined how busy this semester will be — and it will be very busy.

The first meeting was the staff photo meeting at The Columbia Missourian, a morning city newspaper affiliated with the MU School of Journalism and staffed completely (except for certain editorial positions) by students. I’ve been a reporter for The Missourian for a year, during which I reported on now-attorney general Chris Koster’s general election campaign, the state budget and other such state political and economic news.

Now, I’m one of several staff photographers. I’m looking forward to this, mostly because I haven’t been on the field and behind a camera since freshman year, when I shot for The Maneater student newspaper. (In sophomore year, I was the Maneater photo editor, and last year I was doing political reporting for The Missourian.) I’ve talked to a few now-alumni who were also staff photographers at The Missourian. Among other things, they urged me to be enterprising and proactive in what I shoot.

“Take advantage of that press badge, and work your stories,” one told me (I’m paraphrasing — that conversation was several weeks ago). “Think of one story you want to follow all semester, and work toward that. It’s good exercise for you, good for The Missourian and good for your resume and portfolio.”

Which is exactly what the Missourian‘s new director of photography, Josh, said.

During the staff meeting, Josh reiterated the importance of being proactive, even if it means getting just a standalone photo published. He repeated his desire/the need to make The Missourian more visual.

“We die if we don’t have ideas,” he said. “The balloon deflates, and the reporters take over.”

Fortunately for me, I’ve already got a leg up on being proactive. Last semester, my Jefferson City editor Phill Brooks gave me a long-term article I never completed or even began: an in-depth look at rural poverty.

(more…)

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Five weeks, countless hours of shooting and editing, who knows how much equipment and four very tired photojournalism students later, our audio slideshow is finally done.

As I’ve previously blogged, my group for the final multimedia project in Advanced Techniques in Photojournalism chose to highlight Hulett House Gym, a mixed martial arts gym representing Columbia in the Midwest Fight League. We photographed their practices in their gym, shot and recorded audio at the April 10 Battle at The Blue Note X, recorded interviews with the gym’s founder/trainer and two fighters and finally pieced everything together in about 15 grueling hours.

David has posted the Soundslides presentation on his Web site. Unfortunately, WordPress doesn’t allow me to embed Soundslides files (as far as I know, anyway), so please click HERE to view our slideshow.

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JEFFERSON CITY, Mo. — On Saturday noon, I will be in Washington, D.C., with ten days to spare before my internship at washingtonpost.com begins.

This means I have four-ish days to write two articles, do an audio slideshow, complete the final group project for Advanced Techniques in Photojournalism, take my sociology final exam and pack up everything in my room/kitchen. In addition, I’ve scheduled coffee and meetings with about four or five different people throughout the week.

But in five days, I’ll be in Washington, D.C., where I’ll begin 92-96 days of summer (depending on my end date). Hence, “90ish days of summer” will be the running title/motif.

I haven’t had time yet to determine specific goals for this summer. Right now, I’m waiting for the Missouri Senate to adjourn so I can report on a 6 p.m. Senate committee hearing. But that doesn’t mean I haven’t started thinking and daydreaming about Washington.

Things to look forward to on this blog in the next few days:

  • Reflection on the 95th Missouri General Assembly’s first regular session
  • Reflection on reporting on abovementioned legislative session
  • Goals for the summer

In the meantime, I’m going to do my best to keep my head above water in this final week in Missouri.

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The weather this week has been pretty miserable. Fortunately for Joel, Michelle, Ivy and me, we completed our “painting with light” assignment on the one night it hasn’t rained yet this week (Tuesday).

Painting with light? Huh?

It’s a pretty fun technique wherein you…

…make a photograph at night or darkened rooms, utilizing time exposure with light added to reveal something that otherwise would be unobservable at this time of day. Examples are unlit monuments, buildings or features of the landscape; movement of machines, people or animals; and illustrative or imaginary concepts and constructs. This is a photograph which is really a picture of light — because there would be no picture without the light.

Originally, we wanted to photograph the Renz Correctional Center — a women’s maximum-security prison outside of Jefferson City that was discontinued after flooding in 1993. But the property owners weren’t too keen on letting us on-site, much less in the dark.

So Michelle contacted the superintendent of Ha Ha Tonka State Park, which is about two hours south of Columbia and has castle ruins.

That’s right. Castle ruins. In Missouri.

You can read about why the hell there are castle ruins on a cliff in the middle of Missouri if you click HERE.

Anyway. Although Nancy the superintendent was initially reluctant to allow us to stay in the park after dark, which is when the gates are locked, she gave us permission to remain until 10 p.m.

We arrived at the park at dusk, when we could explore the castle ruins and scope them out. We also checked out the water tower, an old stone construction that is on the other side of the parking lot and about half a mile away from the ruins.

So here’s what we did: We could see the water tower from the ruins if we stood at a certain point near the ruins’ balcony. Joel had two-way radios with him, so we decided that one team of two people would remain at the ruins with the camera and a few strobes, and the other two people would go to the water tower. This way, we could light up both the castle ruins and the water tower within the same frame.

The exposures averaged about three minutes apiece. Ivy and I illuminated the water tower using strobes, and Michelle and Joel lit up the castle ruins and “ghosted” Michelle with strobes. It was a lot of fun, although we had a few scares involving bats, howling dogs in the distance and the superintendent’s surprise visit.

Here’s the result, which I screen-captured from Joel’s blog:

High on a hill in Ha Ha Tonka State Park, Mo., it's easy to imagine that ghosts might haunt the ruins of the old Snyder mansion, built by a wealthy Missouri businessman who died long before his dream retreat was completed. The castle-like structure was gutted by fire in 1942, while the nearby water tower survived until vandals set it ablaze 34 years later. Photo ©2009 by Joel Kowsky.

High on a hill in Ha Ha Tonka State Park, Mo., it's easy to imagine that ghosts might haunt the ruins of the old Snyder mansion, built by a wealthy Missouri businessman who died long before his dream retreat was completed. The castle-like structure was gutted by fire in 1942, while the nearby water tower survived until vandals set it ablaze 34 years later. Photo ©2009 by Joel Kowsky.

We were at the park for about two hours and only got seven frames. But hey — we had a concept, and we were able to lit up two structures, one of which was half a mile away from the other. I think we did pretty well.

By the way — Ha Ha Tonka State Park is beautiful. I highly recommend that anyone in the mid-Missouri area take a day trip there.

The park is also where Ha Ha Tonka the band gets its name. (Read the band’s reasoning here.) No one paid me to say this, but I really enjoyed the band’s performance as one of the opening acts for the Avett Brothers in the last Summerfest 2008 event in Columbia. If you like the Avett Bros. or a hard-to-describe mix of country, blues, rock and college band-esque music, you should definitely check out Ha Ha Tonka.

The end.

(Thanks to Michelle for the idea for this post’s subject!)

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I am finally starting to overcome my apprehension about using strobes on the field!

I never really articulated this apprehension in this blog. Basically, at the beginning of this semester, I was horribly squeamish about using my strobe out in public because (gulp) I have this irrational fear of being perceived as an Asian tourist loaded with fancy camera gear.

Our TA in Advanced Techniques in Photojournalism told me I have to overcome this fear, which I knew, and suggested that I capitalize on the possibility of being perceived as an Asian tourist. Meaning, I should let myself loose and let people think I’m an Asian tourist, which would let me get away with using every piece of equipment in my bag.

I’m not quite over this fear. But I’m getting there.

For our latest assignment in the class, we were to use rear-sync curtain flash and panning movement to create a blended image:

Working with artificial constant source light (tungsten or fluorescent). Shoot people in an active situation and blend your strobe with the existing artificial light — being sure to think about the color temperature of that light and using the appropriate gel so the image is color correctable. Use of a slow shutter sync combined with panning or other cameras or subject movement to convey a sense of movement or action.

So I shot a drag show at MU.

It wasn’t nearly as elaborate, technical or hilariously raunchy as last year’s affair. The show was in a common area of Memorial Union, where the overhead tungsten lights were dimmed and there were no stage lights. Which was unfortunate for me, since there was very, very little artificial constant source light with which I could blend my flash.

But the show was still fun to shoot. I set my white balance for tungsten, gelled my flash accordingly, got my exposure right, set my flash for rear-sync curtain and fired away.

Here’s my select:

Columbia College student Wayne Boykin II performs as drag queen Amanda Lay at a drag show in Memorial Union on April 18. Boykin was crowned MUs Miss Diva 2009.

Columbia College student Wayne Boykin II performs as drag queen Amanda Lay at a drag show in Memorial Union on April 18. Boykin was crowned MU's Miss Diva 2009.

I learned pretty quickly that using the blending technique is a hit-or-miss deal. Whether I caught a good moment seemed to rely on how well I could anticipate a good moment in time to snap the shutter and trigger the rear-curtain flash so the flash’s light would stop the drag queen/king’s action in that moment I anticipated.

Make sense?

Thought so!

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Let’s take a break from all the spring break roadtrip photo blog posts I’ve been putting up. Here’s my latest assignment for Advanced Techniques in Photojournalism: multiple flash.

Okay, I have to admit: I was TERRIFIED of having to use multiple flashes for this assignment.

The assignment:

Team up to assist each other in photographing an active situation using at least two strobes, one of which should be slaved or fired remotely. Just about anything can be fired using multiple flash, but good candidates for this assignment are things like sporting or cultural events, dance rehearsals, fashion shows and competitions — term projects.

Originally, my partner Matt and I were going to strobe up a practice at Hulett House (more about them in this blog post), as part of our group’s final project. But I wasn’t feeling well, and he had a paper he had to write anyway. So we ended up meeting on Monday — the night before the assignment was due, of course — and trying to figure out what to do.

After a stint at Capen Park didn’t work out and calls to other places didn’t go through, we ended up at Billiards on Broadway, where a few groups of people were playing pool. We chose to photograph Mike Smith, Chris Schulz and John Stone, who played several games. Fortunately for us, they didn’t mind being flashed with three strobes as they struck out billiard balls.

That’s right. Three strobes.

For my shots, here’s what I did:

  • I had an off-camera strobe (my 580EX II) attached via my shoe cord. Set on manual mode, this usually served as my key light. If I didn’t want it to be my key light, I’d simply aim it a little higher to trigger the other two strobes, which were optically slaved.
  • We had a Mini Morris, which is an optical slave whose power can’t be adjusted. Because of that, we simply sat it on nearby tables or the bar. Depending on the angle of my shot — which depended on where the players moved around the table — the Mini Morris acted as a backlight for some photos, a key for others and a side/fill for still others.
  • Matt set his strobe to act as an optical slave, and he would move around the table to accommodate my lighting needs — either to fill or highlight my shots.

Here are the three runner-ups, with explanations why I didn’t choose them as my select.

    While I like that we can see Mikes eye and utter concentration here, we can also see Matts flash in the lefthand side. Combined with that and the Mini Morris, the highlights in left side of the photo are blown out.

While I like that we can see Mike's eye and utter concentration here, we can also see Matt's flash in the lefthand side. Combined with that and the Mini Morris, the highlights in left side of the photo are blown out.

I like this photo. Its a bit dramatic, which I really dont mind. And I dont mind that you can see the Mini Morris in the righthand side (sitting on the bar). But I dont think Rita or Catalin would appreciate it, so this ones out.

I like this photo. It's a bit dramatic, which I really don't mind. And I don't mind that you can see the Mini Morris in the righthand side (sitting on the bar). But I don't think Rita or Catalin would appreciate it, so this one's out.

Disclaimer: I would have cropped this photo if it were my select. That said, its not my select because the red-striped ball is blown out and the yellow-striped ball in the foreground isnt lit well enough.

Disclaimer: I would have cropped this photo if it were my select. That said, it's not my select because the red-striped ball is blown out and the yellow-striped ball in the foreground isn't lit well enough.

So what does my select image look like? It’s not perfect, by any means, but I think it has the best combination of technique and composition.

Caption: MU student John Stone gets ready to strike the ball in a game of pool at Billiards on Broadway on April 20. Billiards on Broadway was previously located on Ninth Street. My only criticisms: You cant see Johns eyes, and the highlights in the lower righthand corner are a bit blown.

Caption: MU student John Stone gets ready to strike the ball in a game of pool at Billiards on Broadway on April 20. Billiards on Broadway was previously located on Ninth Street. My only criticisms: You can't see John's eyes, and the highlights in the lower righthand corner are a bit blown.

Overall, I feel a lot more comfortable with using multiple flashes. At first, it was pretty hit-and-miss, but I think Matt and I did a fairly decent job by the end.

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I photographed the Midwest Fight League‘s Battle at The Blue Note X on Saturday as part of the final group project for my Advanced Techniques in Photojournalism class.

It was not a piece of cake.

For our group project, we have shot a few practices for Hulett House fighters. Hulett House was founded by Rob Hulett and is Columbia’s representative in the Midwest Fight League — which was also founded by Rob Hulett. The big tournament was this Saturday, so naturally all four of us went there to photograph and record audio.

We had one remote camera set up, as well as a lit portrait set-up out in a back alley. The idea for the portrait set-up was to photograph “before” and “after” portraits of the Hulett House fighters.

This is the portrait set-up we had in the back alley of The Blue Note for the mixed martial arts tournament on April 10. Two lights (cant remember what their name is) and a 5D MkII. I manned the set-up for the first three hours overall and first two 2.5 hours of the tournament.

This is the portrait set-up we had in the back alley of The Blue Note for the mixed martial arts tournament on April 10. Two lights (can't remember what their name is) and a 5D MkII. I manned the set-up for the first three hours overall and first two 2.5 hours of the tournament.

I spent the first three hours out in that back alley. It was pretty cold, but I got to spend the rest of the time inside shooting the tournament after two of my group members relieved me of portrait duty. But by that point, there were only a few fights left, my lenses were fogged after coming in from the cold and I had no idea where I was allowed to shoot or how proceedings at the tournament worked.

So I had to make a quick study. It was a tough adjustment to make, and once my lenses were clear, I tried to get some good shots. Maybe I’m being too hard on myself, but this was not my best shoot. Below are three of my better shots from that night.

Mixed martial arts fighter Justin Kelly finishes greeting his fans from inside the cage after winning his bout with Darwin Hill in the Battle at The Blue Note X on April 10.

Mixed martial arts fighter Justin Kelly finishes greeting his fans from inside the cage after winning his bout with Darwin Hill in the Battle at The Blue Note X on April 10.

Tim Hillcock braces for a blow from Ira Mosely in a mixed martial arts fight during the Battle at The Blue Note X on April 10.

Tim Hillcock braces for a blow from Ira Mosely in a mixed martial arts fight during the Battle at The Blue Note X on April 10.

Mixed martial arts fighter and three-time champion Mario Vazquez raises his arm and Mexican flag after winning against Tim Hemmingway in the Battle at The Blue Note Xs final bout.

Mixed martial arts fighter and three-time champion Mario Vazquez raises his arm and Mexican flag after winning against Tim Hemmingway in the Battle at The Blue Note X's final bout.

So again: not really a piece of cake. I tried some other angles — namely, an above angle, from the stage rafters — but they didn’t really work out for me. I should have worked some other angles, such as from the balcony, but was still trying to get to know my way around the tournament in general.

And why do I keep talking about cake? Because I just made some delicious chocolate cake with delicious chocolate frosting. I frosted the cake right after it came out of the oven, so that part of the frosting permeates the cake. It’s very rich and moist and chocolate-y, and per Jeff‘s request, I photo’ed the end result. And while he didn’t request that I use a single-flash and shoe cord in the process, to show the cake and the frosting without cutting the cake, I did.

Mmm, the richness.

Oh, and spring break roadtrip photos? They’re coming along. They really should be ready sometime this week. Check the blog later!

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Multimedia.

I first heard that word being slung around in mass use when I arrived at MU and started doing activities with my Freshman Interest Group (FIG — wherein you live in the same dorm and take at least three classes with about 15 other freshmen in your major). The faculty adviser for my “Women in Journalism” FIG was Lynda Kraxberger, who chairs the MU Journalism School’s convergence sequence.

And almost every journalism professor I’ve had since has gravely informed us journalism students how vital multimedia is as a dynamic informational and/or visual tool that we all must learn.

I don’t doubt it.

I’m glad that multimedia is going to be a large component of my summer internship at washingtonpost.com.

And on that note: For today’s 3:30 p.m. class in Advanced Techniques, we are to link to an audio slideshow that “you think are well done, or ones you think have some good points but could be improved,” according to the syllabus.

I saw this slideshow when it first came out on washingtonpost.com, back in October after the stocks plummeted and everyone — not just the insiders and reporters — realized that the housing bubble and credit bubbles had finally burst. I still like it. What can I say? I’m a dork about the economy.

Click HERE to view “Anatomy of a Crisis,” narrated by Frank Ahrens of The Washington Post.

I like this slideshow for a few reasons:

  • Unlike a lot of audio slideshows out there, it’s not simply a linear photo story about a singular subject.
  • It is a simple, highly informative piece dealing with noteworthy and newsworthy events and issues that affect the entire nation.
  • It integrates photos and infographics, often alongside each other.
  • It makes you wonder at the end how on earth the slideshow producer pulled so many different images of houses together and turn it into an engaging (and, again, highly informative) slideshow whose visuals work with the audio and never get boring.

Maybe this kind of economic stuff does bore people. But hey — this is the kind of audio slideshow I’m excited about: short, succinct, informative, visual and engaging. And hopefully that’s the kind of multimedia I’ll get to help produce this summer.

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